Wednesday, January 27, 2010

Mama was a Rolling Crone...

Dear Mom,

Today's your 64th birthday. No, you're not losing your hair--I love the pride with which you wear your silver crown--and not much else about the song really matches, but one thing's for sure: I do still need you, now that you're 64.

I need you because we're both still raising each other, both still discovering the height and depth and breadth of our womanhood. Even though I've flown far from the small island nest of my childhood, we still are strongly linked. We are linked by our shared love and reverence for the land. We are linked by our shared linguistic silliness. We are linked by our shared hunger for beauty and our far-reaching theological curiosity.

Sometimes it's unsettling, this powerful connection. I'm not always ready to acknowledge how close we are. When I left on that plane for my first year of college in Alaska, I felt like a mustang just released from a rodeo gate, wild to bust loose from the (admittedly self-sought) burdens of The Dutiful Daughter. I longed to discover who I was apart from all others' expectations. Away in the frozen north, I spent long evenings staring up out at the snowy fields, softly illuminated by an ice-ringed moon. I wrote, sang, and--safe in my ivory tower--wept with abandon. (The freedom to sob my heart out was, oddly, my dearest new luxury after years in a five-sibling household with very thin walls.)

After the novelty wore off or the tears wore out, (I can't remember which), I lunged toward a new goal: to major in "international everything." It was a path you'd set me on, with your own voracious reading habits and deep affection for the diversity of human cultures. In letters and phone calls home, I'd relate my latest leanings and learnings. Your responses alternately impressed and irritated me; I was trying so hard to reinvent myself, trying to "compare and contrast," but you always agreed, approved, or at least understood. So much for rebellious differentiation!

As the years have unfolded, neither of us have ever managed to satiate our hunger for learning. We are both the daughters of teachers, after all. How delighted I was to watch from the sidelines (a.k.a. graduate school) as you celebrated your (mostly) empty nest by enrolling in poetry and forest stewardship classes! How much fun we still have, comparing notes from garden shows and farming workshops!

So, here I am, entirely myself, entirely my mother's daughter. You are still on the island, immersed in the business of gardening, surrounded with the fragrant fruits of your labours. You do not rest on your laurels. Your creations dazzle the senses and bedeck countless homes and businesses. They offer a benediction of beauty at rituals and events. Every year, you rework your plans, introduce something new, and push the edges of possibility. Here on this farm, I pay homage (momage?) as I echo your movements, sorting seeds and playing in the dirt.

Thank you, Mother. Thank you for your boldness, your wit, your spirit, and your stubborn dedication to being Truly Yourself. I still look to your wisdom and your witness. I still need you, now that you're sixty-four, and I am profoundly thankful for the healthy choices you've made to ensure you'll be around for many years to come. Although I suspect no child can have too many mothers,(biological, spiritual, and otherwise), you are still my Best Mama. Happy Birthday!

Sunday, January 10, 2010

Fifteenth Night at the Ceilidh Palace

...and a glorious time was had by all.

Not to be confused with Caesars Palace (I come to bury Caesar, not to praise him), the Ceilidh Palace is the long-awaited addition to the home of our dear friends, F. and J. (For those still unfamiliar with the term, a ceilidh [pronounced "KAY-lee"] is a sort of musical pot-luck, where the entertainment tends toward the home-grown, free-range and organic.)

These two extraordinary musicians had long dreamed of building a splendid space for bardic gatherings. They poured the foundation years ago, but challenges all-too-common to the life of working artists made their plans go aft a-gley. This past year, though, they finally tackled the task's completion. We compared construction notes along the way. We merrily joked with them about our "competitive housebuilding," but many's the time we shared mutual congratulations over clever requisitions and creative use of cast-offs. We encouraged each other, commiserated over the "joys" of trimwork and drywall, and blessed each other's households with gifts of food, music, and friendship.

This weekend, they inaugurated the new space during their annual Twelfth Night Ceilidh & Conflagration. (Technically, counting from Christmas, it was Fifteenth Night, but the evening was too perfect to be bothered by technicalities.) In the past, this event has consisted of a fragrant, steamy elbow-to-elbow potluck in one room and a jam-packed music session in another, with scarcely room to butter one's bread or draw a fiddle bow. Folks took turns going out to gather around the snow-banked bonfire. They braved the frigid January night not just for the spectacle of the high-leaping flames, but also for the brief freedom to swing their arms and move easily about.

This year, the bonfire got off to a very good start with two crackly-branched Christmas trees. As in past years, many guests brought something to contribute to the fire, from tiny wish-enscribed slips to multiple file-folders of burdensome paperwork. (The year I graduated from seminary, I contributed a small papier-mache effigy I dubbed "the algebra monster." I gleefully threw it into the fire, thereby declaring my symbolic freedom from long years of abject algebraic failure in a host of mathematics classrooms. I felt cleansed by the act and willingly endured the bemused and befuddled looks of those standing near me.)

Inside the house, a new hearth was blessed and another fire kindled, this time in the chilly but welcoming space of their new greatroom: the ground floor of the soaring post-and-beam Ceilidh Palace. With a canvas hung to divide the space and trap the heat, a set of old church pews set around the edges, and a fire blazing merrily in the grate, the new room was beckoning. Our hosts called everyone in for the blessing. F. played a haunting tune on his flute. The blessing was pronounced, and all drank a toast to hosts, hearth, and house. Then J. cried out, "Let the wild rumpus begin!"

First came the Scottish smallpipes, then fiddles emerged from cases along with harp, whistle, bodhran and guitar. It was tentative at first. Someone led off with "Mairi's Wedding." Then it was "Atholl Highlanders" and "Calliope House." "Lark in the Morning" took wing. Fiddles and whistles wove around each other in "Jenny Dang the Weaver." After a few more tunes, a banjo appeared in the mix. Soon an accordion squeezed in. After years of dreaming, of hoping, of saving and striving, the room came to life and thrummed with rollicking, lilting, toe-tapping, spirit-lifting music. It was a realized vision, a creative conspiracy--literally, a breathing-together--and our hearts beat together to the rhythm of this shared creation.

The evening rolled on. The musicians became more venturesome. In a household full of musical inventions and oddities, someone emerged with one of the oddest: a double-chantered Tunisian bagpipe whose maker had made no effort to disguise the material: goatskin. Attempts to play it engendered uproarious laughter as the awful little goat-bag inflated to an alarming proportion, then emitted one tentative, goose-like *honk.* Although we could all plainly hear the air escaping from the loosely-tied bag, we all cried out for more, each squeak and squawk further incapacitating us with laughter.

Finally the poor creature was rescued and laid to rest, the gasping musicians wiped away tears of hilarity, and the session revved up again. More uncommon instruments were welcomed into the session and the tunes danced from one culture into another: Irish, Scottish, Quebecois, Breton... on into the dark winter night. Outside the sparks did their own wild dance, swirling and leaping high into the clear cold air. The Ceilidh Palace, work of common folk, bedecked with its faint tracery of plaster dust, was a treasure-trove heaped high. That night, we were all rich as kings and queens.


(All text, images, and video copyright Mainecelt 2010)

Tuesday, January 5, 2010

Another Leveraged Bale Out

The cows weren't expecting this. There they stood, in the pre-dawn winter darkness, looking aimless and sleepy in the middle of the snowy field. Our boots crunched in the ice-crusted snowdrifts as we approached the top of the hill. We would have to be decisive. We would have to be swift.

But it's hard to be swift when you're moving a 4-foot-diameter 500-pound bale. No matter how deep the cleats are on your boots, it's hard to gain purchase in ice and snow. By the time I'd brushed the snow off the plastic-wrapped bale and rocked it loose from the ground, those cows--in spite of the darkness--were acting suspicious.

So, we pushed. The Piper and I leaned our shoulders into the bale, muckling on as well as we could with our gloved hands. We paused to re-plant our feet and rocked the bale some more. Finally, we leveraged that behemoth up...and...over...so that it rolled two full revolutions down the hill. Unfortunately, it was headed exactly NOT towards the pasture gate.

Pause for another correction. The Piper and I stand at opposite "corners" of the bale and push, slowly spinning it a quarter-turn until it's aimed in the right direction. Now the cows are lined up at the gate, snorting and tossing their forelocks. Iona, queen of the cattlefold, firmly plants herself at the fore.

Cows are not good at physics. I suspect their phenomenal digestion is the primary location of their intelligence. No, perhaps that's unfair-- there's nothing in their primal cognition to help them respond when a pair of two-leggeds starts rolling a giant marshmallow down the hill towards the pasture gate before dawn. We had the right voices, at least, so we weren't intruders... and when we sliced the haywrap just before the final push through the gate, those cows caught the clean vinegarish scent that announced incoming food. Hunger and curiosity dictated their subsequent arrangement.

And so it was that, when we gave the final push, that bale rolled down the hill, through the gate, farther down the hill with gathering speed, and...smacked broadside into that poor silly heifer. She gave a surprised wee jump forward, then turned around and stared reproachfully (balefully?) at the still-wrapped bale. I hustled down into the field and pulled off the haywrap. As the tasty contents were revealed, the heifer hung back and stared a minute more--just long enough for me to pull the wrapper off and out of the way--then moved in, determined to bite her breakfast right back.

So this is how the New Year begins: with rolling bales, chores before dawn, well-fed cows, strong women, leverage and surprises. We're ready, even if the cows aren't. Bring it on!!!

Monday, December 21, 2009

2009: A Term for the Verse

Today marks the Winter Solstice-- the year's shortest day and longest night. As the minutes slipped away prior to the Official Astronomical Event, I wormed my way under our new house for one last intimate encounter with the earth. (The practical reason for this ritual was that a faulty extension cord needed replacing; the shower drain--so carefully surrounded with heat-tape, insulation, and a tyvek-wrapped, earth-banked styroboard frost wall--would do us no good through the winter's whistling winds if the heat-tape could not be trustworthily plugged in!)

Now I am back inside the house, grubby but warm, relaxing into the knowledge that the last great ritual has been successfully performed and we shall henceforth be able to Hold The Wolf of Winter At Bay. (We won't make any bold predictions about any other wolves just yet, but suffice to say that we're really boning up on our wolf-wrangling skills and getting better every day!)

The Proper Activity of Northern Winter Folk is repair and creation: the careful tending of tools and gear, the mending of strained relationships, and the creation of things both useful and beautiful. My heart is ready, now--and if you will permit me a bit of creative indulgence--my rusty bardic muse is in need of some warm-up stretches. Like any stretch, the following will involve the potential of painful reaches and the appearance of ridiculousness, but these seasonal tasks simply MUST be done...


2009: A TERM FOR THE VERSE


January started out
cold and full of gripes:
Our year began with frozen folk,
cold house and frozen pipes.

February came along
with icy, sparkling jaws--
We went outside and froze some more--
for a worthy local cause.

March brought hard digging
and--finally--joy! Let
us now praise installers
of pipes, shower and toilet!

April--on windowsills,
seedtrays sat out,
dark soil dreaming
and sending up sprouts.

May--month of sweet melting
and warming and growing!
New piglets were bought.
In the fields we went sowing.

June--to market and home again,
all in a whirl
to host a church picnic
and the dear Wild Girls!

July started wet and grew wet enough
to douse any forest fire.
Pigs being pigs, in the mud they did dig,
and slipped out under the wire.

August brought an island journey--
oh, sweet farm-women's reprieve!
Our first home-grown bull met his meaty end:
a choice we did not grieve.

September: batten down the farm
and rush to catch a plane
For a family wedding we piped and preached--
so good to see kinfolk again!

October came to
a bittersweet end.
With bards and musicians,
we mourned a dear friend.

November brought the cold and dark--
a fearful time for the farm.
But oh! We gave thanks for our sweet new house,
where the woodstove kept us warm!

December sang softly of flickering hope,
now fanned to a stalwart flame.
We plan for years, fields, and friends to come.
Solstice Blessings! May you do the same!

--copyright MaineCelt 12/2009


(This post's images were taken during a visit to Trustworth Studios.)

Saturday, December 5, 2009

Whaur Will Ye Bide?

The song was based on the words of Maggie Cameron and other Travellers in the midst of a wrenching struggle for their dying way of life. Their stories were gathered by Ewan MacColl and others in the 1960s, recorded on cumbersome equipment in potato and berry fields and along British byways their people had traversed for centuries. These so-called Tinkers and Gypsies had moved between time-honoured camps and resting places as they plyed their traditional trades... but the old ways were changing and new laws turned their traditions into punishable crimes.

From their own words, Ewan wove a Winter Song that later came to be known as "The Terror Time."

Heather will fade, and the bracken will die
Streams will run cold and clear
And the small birds, they'll be goin'
And it's then that you'll be knowin'
That the Terror Time is near.

And whaur will ye gang, aye, and whaur will ye bide
Noo that the wairk's aa dane,
And the fairmer disnae need ye
And the council wilnae heed ye
And the Terror Time is here.

--from the BBC Radio Ballad,
The Travelling People (1964)

We have lived all too close to the aching reach of this song. These last few years, in the same span of joyful animal-tending, seed-planting and upbuilding, we have lived daily with the knowledge that this land was not entirely in our grasp. We have lived knowing it could all be taken away.

The woods give no shelter, for the trees, they are bare.
Snow's fallin aa aroond
And the bairnies, they are cryin'
For the straw on which they're layin'
Aye, it's frozen tae the groond...

And you need the wairmth o yir ain human kind--
You move near the toon and then
The sicht o ye's offendin'
For the police they'll be sendin'
And ye're on the road again.


Because we are history-minded, because we are singers of old songs, we knew there was nothing unique in this, just a gnawing, echoing sameness that linked us to Dustbowl farmers, hurricane victims, and thousands of other faceless losers-of-land-and-homes. We tried to steel ourselves. We tried--and failed--not to love this particular piece of land too much. We tried to keep our minds open to possibilities and our hands always working, our eyes and ears always searching for that job, that program, that business or organization that might make it possible to bind ourselves to this land forever. Mostly, the words we heard were "no" and "sorry..." or just...nothing. Into this emptiness came the song's haunting refrain:

And whaur will ye gang, aye, and whaur will ye bide
Noo that the wairk's aa dane,
and the fairmer disnae need ye
And the council wilnae heed ye
An the Terror Time is here.


But now, in the Dark Half of the year, there is a rumour of light. There is a whisper of music. There are signs of hope. We are not out of the woods just yet, but neither are we alone. We are blessed to find ourselves surrounded by friends, by well-rooted and winged things, by good friends and Wise Tiny Creatures. We are beginning to walk, ever-so-tentatively, on something that feels like Solid Ground.

It feels funny, this placing of the feet with unaccustomed confidence. We do not know how to move this way. It feels awkward and strange. We are people who have walked in darkness...perhaps we might yet learn to rest, to trust, to see each other's faces by the light of a bright star. Perhaps we might yet find a way to dance down the path, to stumble astonished across our own threshold, and call it Home.

Tuesday, November 10, 2009

Many Happy Returns!

The Piper and I have a running joke. "Marry me," she says, "and I'll take you away to all this."

Well, 47% of Maine voters would be perfectly happy to let us do just that, but it looks like we'll have to wait--and work--a while longer before that particular dream comes true.

And so we work. We rise each morning and greet the rising sun together. We let the Border Collie out of her kennel and she guides us through the door, down the steps, and over to the waiting chickens inside the wee barn. The Piper lifts their little hatch and they come hopping and spilling and fluttering out in a laughable, feathery rush.

We check their feed and water. We gather the eggs--softly brown and sometimes still warm to the touch. We stop to admire the cows, all shaggy and complacent in their neatly-fenced pasture. We hear the contented sounds of creatures all around. We are in love with this place, these creatures, this dear old storied plot of land.

Happy Birthday, my Beloved. Married or not, thank you for taking me away to all this!

Tuesday, November 3, 2009

Rockin' the Big House: a Tribute to Bruce Malcolm Cole

I preached my first funeral last Saturday. It was a rather unusual service.

How unusual?

Well... let's just say I am now part of a rather small club: the association of clergywomen who have stood in the pulpit of a large Catholic Church and led a Celtic New Year-themed service on Halloween.

It was Bruce's idea--Bruce, dear grace-filled trickster, who knew he was dying and was determined to go out in style. You see, Bruce was the kind of guy who loved to move behind the scenes. By profession, he was a facilities manager, the man with all the keys who understood all the mystical mechanics and secret spaces. As his wife wrote about the church, "He always referred to it as "the big house", but with affection, like a nickname for a cherished friend." Indeed, Bruce poured himself into the meticulous care of the schools and churches he tended, taking pride in details nobody else might ever notice. Yet he also had a theatrical streak, and he loved to be the center of attention. The best times for Bruce usually involved the chance to feast, the chance to tell stories in diverse company, and the chance to play with fire. (The picture give you a hint of his sense of humour. It comes from a charity fundraising calendar called "Under the Kilt.")

When Bruce received his diagnosis of pancreatic cancer, he understood that it was serious. He understood that such a diagnosis came with a lifespan of mere months, sometimes mere weeks. He spoke of "beginning to live in two worlds"--one in which he maintained a powerfully positive outlook with a fierce focus on future living, and one in which he pragmatically began to put his affairs in order to prepare for a fast-approaching end. Soon after his diagnosis, he approached one of the priests of the large Catholic church where he worked. He knew full well the merit of his work, knew how to play his hand as their only non-Catholic employee...and really, when a man says he's dying and wants to have his service in your church because the place means a lot to him, how could anyone say no?

The venue secured, he proceeded on to the next step of his subversive plan. At a Scottish Heritage society meeting, he pulled me aside. Would I, as chaplain to the society, officiate at his service and see to it that his heritage would be honoured? Again, how could anyone say no? In my mind, I pictured a quiet, intimate gathering in a rustic chapel somewhere...peaceful shadows and flickering candlelight...a simple, unadorned place without too much fuss where a youngish clergywoman could manage, decently, her first attempt at a funeral. Silly me. I don't know what I was thinking.

As the weeks and months unfolded around us, Bruce battled his cancer with all the courage and dedication you'd expect of a serious caber-tossing athlete. He stormed through chemotherapy and other treatment protocols in a blaze of glory, gritting his teeth and grinning at the slightest hint that he might be winning. He sought out an energy healer and seized the opportunity to improve the well-being of his spirit as well as his body. Yes, there were days when the strain showed, waves of nausea and sudden urgent trips to the doctor...but those of us at the sidelines found ourselves frequently bewildered by Bruce's newfound vigor. He was so determined to embrace life, to live fully in every moment, that some days he actually seemed MORE healthy, not less.

Bruce flexed his growing spiritual muscles and exercised them frequently. For years he had been mentoring others, but now every meeting was another chance to impart wisdom, and he tried not to waste a single chance. When we complained of our frustration with The Disappearing Plumber, he told us to "stop being angry and let it go." When we got wound up about things, he would say things like, "you may think it matters, but it doesn't. It really doesn't matter as much as you think it matters." Then he would counsel us to turn our attention elsewhere--to love, to shared comfort and laughter--and get on with the business of real living.

Over shared meals, Bruce gradually ate less and less, but we feasted together on laughter. He could build up a story, then suddenly flip it around, leaving its legs treading the air and leaving us nearly helpless with laughter. He had known plenty of rage and anger in his own life--he often reminded us that we would not have liked him when he was younger--but he clearly was intent on a different path now. Bruce, mighty-muscled and built like a tank, entertained himself now by mentoring amateur athletes for the Maine Highland Games, building runs and feeders for the wee wild beasties in his back yard, crafting traditional Scottish knives and elegant walking sticks as gifts for his friends, and weaving his own words and music together with the help of a good guitar. He counted his riches in the affection of his beloved wife, his two rescued "special needs" dogs, and the diverse range of folks he counted among his true friends.

Diversity-- that was another thing that mattered to Bruce. He welcomed both myself and my partner into his circle of friends and lauded the way we cared for each other. And when his ecclesiastical employer chose to vocally advocate the overturn of Maine's recently-passed same-sex marriage law, I suspect Bruce decided to have a little good-natured fun at their expense. So it was that he secured a huge, ornate Catholic church for his funeral venue, then asked me to lead the service and asked my partner to play the pipes.

And so we did-- three days before election day. His wife and I planned the service together and settled on the Celtic New Year as a day with particular meaning for Bruce, who deeply loved his Celtic heritage. We used the funeral service in the UCC hymnal as a guide, but included a prayer from this book along with a poem that echoed Bruce's earthy, earthly spirituality. So: Catholic church, check. Woman in pulpit, check. Pagan Celtic readings, check. Prayer for lightning not to strike me down in the middle of the homily: check.

Now, I've officiated at weddings, at christenings, at house-blessings and tree-blessings and other rituals, but I'd never done a funeral. When the full impact of the situation hit me, I confess that I got a little, well, freaked out. I don't put much stock in conspiracy theories, but after stepping into that sanctuary and seeing all the contribution envelopes for the "Stand for Marriage" campaign at all the entryways, I did feel a bit like I'd been sent into hostile territory and would soon be found out and "removed." I had to remind myself that we were there to celebrate Bruce, and that hate and petty sectarian bickering had no place in his celebration. We called the administrative head of the parish and asked him to start the service with some words of welcome. We called another priest and asked him to say the prayer of invocation. They both agreed. Now it was up to me to walk the line, to call up every ounce of worship-planning skill and diplomacy in the service of honouring my friend.

Perhaps Bruce's spirit was still "facilities manager" that day. Somehow it all came together. Somehow, it all worked, and it was beautiful. Somehow, I sat between two priests in the front of that opulent sanctuary, in front of hundreds of people, and I never triggered their "heretic and abomination" alarms. There was a massed bagpipe band in full regalia in front of the church. There was a Celtic harper inside, weaving a gentle, comforting web. There was the most heartbreakingly beautiful a capella rendition of Danny Boy--a song I usually deride--I'd ever heard. Bruce's niece played a Bach sarabande on cello. All of the readers offered scripture and poetry and prayers in clear, strong voices. Hundreds of voices joined together in "Be Thou My Vision" and "Amazing Grace." Amazing it was--and, yes, full of grace. At the end, the sound of the bagpipes swirled up and echoed from the high stone arches. Together we wept, and together we smiled, bound together in grief and love for a truly remarkable--and gleefully subversive--man.