Showing posts with label Wise Tiny Creatures. Show all posts
Showing posts with label Wise Tiny Creatures. Show all posts

Saturday, March 17, 2012

St. Patrick's Confession

Happy Saint Patrick's Day! Here's my latest hand-crafted "Wise Tiny Creature" to greet you. He has a wee confession to make:

















PATRICK'S CONFESSION

Serpents of Ireland, I'm sorry.
You did not then, nor now, deserve my ire.
These last few centuries,
I've learned a thing or two,
Cooling my heels under the gentle rains,
Conversing with worms in the earth.
They have taught me with their slender, winding ways
Of the goodness of snakes,
How even our Dear Lord loved them,
Telling his disciples to be as wise.

Yes, I've been thinking,
Hidden away from the weary tread of pilgrim feet--
No zealot now, no fire-starter,
This dark cradle a subtler, slower crucible of sorts--
As I and earth transform
Into each other
And shallow shamrock roots
Spread a ticklish carpeting over my head
How did I ever believe
The Trinity could be my Own Big Thing
In the already ancient, intimately wise
Thousand-green three-in-oneness
Of this scarred and shining land?

Serpents of Ireland, I'm sorry.
In my arrogance, I sinned against you.
You, no less than all God's other creatures
Deserve to live unmolested,
Blessed, not cursed, from the beginning.
These things--at last--I understand
Now that I, too, have shed my skin.

--copyright MaineCelt 3/2012

Monday, April 12, 2010

Sprung?















SPRUNG?

O silver sky--
O scarlet-scattered maple
blossoming against
the slender bone-grey branch--
O wild greening gusting
wind-weft sky--
Not I.

O awkward egg--
O pipped, shell-chipping chicks
moist, fragile marvels
soon to shove, heave,
hop, peep, flap all feathery free--
Not me.

O in-rushing Spring--
O bird-bustling
bringer of singing
with pastures a-greening
Dashing the darkness,
splashing my toes with the dew--
How dare... oh!
How dear...
O, Darling!

Me too!

















--copyright Mainecelt 4/2010

Saturday, December 5, 2009

Whaur Will Ye Bide?

The song was based on the words of Maggie Cameron and other Travellers in the midst of a wrenching struggle for their dying way of life. Their stories were gathered by Ewan MacColl and others in the 1960s, recorded on cumbersome equipment in potato and berry fields and along British byways their people had traversed for centuries. These so-called Tinkers and Gypsies had moved between time-honoured camps and resting places as they plyed their traditional trades... but the old ways were changing and new laws turned their traditions into punishable crimes.

From their own words, Ewan wove a Winter Song that later came to be known as "The Terror Time."

Heather will fade, and the bracken will die
Streams will run cold and clear
And the small birds, they'll be goin'
And it's then that you'll be knowin'
That the Terror Time is near.

And whaur will ye gang, aye, and whaur will ye bide
Noo that the wairk's aa dane,
And the fairmer disnae need ye
And the council wilnae heed ye
And the Terror Time is here.

--from the BBC Radio Ballad,
The Travelling People (1964)

We have lived all too close to the aching reach of this song. These last few years, in the same span of joyful animal-tending, seed-planting and upbuilding, we have lived daily with the knowledge that this land was not entirely in our grasp. We have lived knowing it could all be taken away.

The woods give no shelter, for the trees, they are bare.
Snow's fallin aa aroond
And the bairnies, they are cryin'
For the straw on which they're layin'
Aye, it's frozen tae the groond...

And you need the wairmth o yir ain human kind--
You move near the toon and then
The sicht o ye's offendin'
For the police they'll be sendin'
And ye're on the road again.


Because we are history-minded, because we are singers of old songs, we knew there was nothing unique in this, just a gnawing, echoing sameness that linked us to Dustbowl farmers, hurricane victims, and thousands of other faceless losers-of-land-and-homes. We tried to steel ourselves. We tried--and failed--not to love this particular piece of land too much. We tried to keep our minds open to possibilities and our hands always working, our eyes and ears always searching for that job, that program, that business or organization that might make it possible to bind ourselves to this land forever. Mostly, the words we heard were "no" and "sorry..." or just...nothing. Into this emptiness came the song's haunting refrain:

And whaur will ye gang, aye, and whaur will ye bide
Noo that the wairk's aa dane,
and the fairmer disnae need ye
And the council wilnae heed ye
An the Terror Time is here.


But now, in the Dark Half of the year, there is a rumour of light. There is a whisper of music. There are signs of hope. We are not out of the woods just yet, but neither are we alone. We are blessed to find ourselves surrounded by friends, by well-rooted and winged things, by good friends and Wise Tiny Creatures. We are beginning to walk, ever-so-tentatively, on something that feels like Solid Ground.

It feels funny, this placing of the feet with unaccustomed confidence. We do not know how to move this way. It feels awkward and strange. We are people who have walked in darkness...perhaps we might yet learn to rest, to trust, to see each other's faces by the light of a bright star. Perhaps we might yet find a way to dance down the path, to stumble astonished across our own threshold, and call it Home.

Tuesday, July 21, 2009

Wise Tiny Creatures and The Sort-of Hat

Alright, so this may not be Hogwarts, but we do have hogs...

We haven't made it to the latest Harry Potter movie. In fact, the penultimate and ultimate books in the series are still buried, unread, somewhere in our old-house-turned-storage-shack, waiting for that novel invention, "free time." Maybe THIS winter, I'll read them!

For now, the season demands the busy-ness of my hands. For those rare occasions when I'm actually forced, by circumstance, to remain seated, I've been toting along my craft basket and making dolls to sell at the farmers' market. I call these my "Wise Tiny Creatures," an affectionate nod to the poem, "Glen Uig," from Richard Hugo's Hebridean poetry cycle, "The Right Madness on Skye." The dolls range in size from two to six inches, about right for use in dollhouses and easy storage in backpacks, Christmas stockings, and coat pockets--a few of the places one might want or need them.

The dolls started with a kit my sister sent for my birthday a few years back. While I was delighted by the ingenuity and ease of the dolls' construction, I found myself itching to push the limits of design and decoration, to come up with something that matched the dancing creaturely images in my head. I wanted dolls with realistic bodies, padded and rounded and pleasant to cradle in one's hand, to tuck in one's pocket, to play with and pose and hold. I wanted engaging little faces, some wise and old, some fresh and young, some pensive, some mirthful, in a wide range of skin tones. I wanted them to be made, as much as possible, from natural, rather than acrylic, fibers and materials. I wanted dolls that would stand up to a fair amount of play, equal to the imaginations of those that might acquire them.

Each doll begins with two pipe cleaners or chenille stems, bent into an armature and wrapped with cotton embroidery floss. The heads are simply wooden beads from a craft store, but I hand-paint the faces--even though I question my sanity and rue the cost of the tiny, quickly-bent brushes each time I do so. I cover the acrylic paint with a few layers of non-toxic gesso and use a non-toxic craft glue to attach hair and beards made from wool that has been washed/carded but not spun.

I found a source for plant-dyed 100% wool felt from which to sew clothes. This is the hardest of my materials to find-- none of our local craft shops carry real wool felt, and I use such small quantities that it hardly justifies the cost of shipping from most internet vendors. (Also, I sew too slowly to use up my own inventory with any speed, but I do wish I had a few more colours!) Lately, my original source seems to have slowed production and cut down their range of offerings. Any suggestions besides dying the wool myself?

Salley Mavor's excellent book, Felt Wee Folk, includes patterns for fairies, pirates, mermaids, and members of a royal court. I've played with a few additional ideas: wizards, saints and a poseable nativity set, among others. A favourite commission: the request to make a doll that looked "Like St. Patrick, but for a guy who's really into Zen Buddhism." (I embroidered yin-yang symbols on the wee saint's stole and tiny gold snakes on the bishop's mitre and robe.) Lately I've taken to making shoes for most of the dolls, which is ridiculously time-consuming but ensures that they can stand on their own--an important feature for both display and active play.

I'll never be able to charge what these dolls are worth in terms of time and care and creative energy--they sell for twenty to forty-five dollars--but I justify them by reminding myself that much of the work is "multitasked" in the service of keeping my hands busy during meetings and such. (I learned years ago that handwork helps me focus and attend much more effectively. In grad school, I kept my hands busy by colour-coding my class lecture notes with a set of a dozen fine-point gel pens. People were always asking to borrow my notes when it was time to study for exams!)

Back to Harry Potter for a bit: devout readers and movie-goers will be familiar with the character/device known as the "Sorting Hat." During the School for Wild Girls, KyedPiper gifted me with a set of circular needles and two balls of lovely colour-flecked chocolate-brown wool-blend yarn. (I should note that my previous knitting experience is limited to two scarves and the back of a vest--one of many over-zealous unpatterned experiments I took on, then muddled and hid in the bottom of a trunk.) She talked about hats she had made and suggested that I try making one for myself.

While watching episodes of "Xena, Warrior Princess" on DVD, Kyedpiper helped me cast on and get set up to knit on circular needles, something I'd never tried. I worked without a pattern and, a couple weeks after she left, reached the stage where I knew I needed to decrease stitches further than the up-til-now-easily-used circular needles would allow. Another friend let me borrow some double-ended needles and taught me how to work with them, and a couple days later the hat was finished. With a vague nod in the Sorting Hat's direction, I have christened this project my "Sort-Of Hat:" I sort-of knew what I was doing and it turned out sort-of how I hoped it would! (I am still debating whether to adorn the tip with a pom-pom or a small bell, or just snip the extra yarn and leave it as-is. I'm leaning toward the bell.)

Thursday, May 21, 2009

Bird in the Hand

Welcome to Maine's first annual Blog A Bird Rescue Fest! Both our farm and the Castlebay Ceilidh Palace were visited yesterday by bewildered birds. Here's the tale of our own poor wee wanderer:

Perhaps the little blighter followed a fly, one of the few lazily drawing aerial figure-eights in our entryway. Perhaps it was confused by the peep-peep-peep of newly hatched chicks in the upstairs spare room. However it happened, I heard two successive impacts and turned to find a half-stunned nuthatch clinging to the window munton, disturbing the little cloud of ennui and despair that has settled over my seedling trays.

The tomato plants lifted their heads in amazement, as if to say, what, there's a world of life and movement somewhere? (They desperately wanted to be planted outside two weeks ago. When I merely transplanted them into larger containers and returned them inside, they decided to revoke their life-force. I've been trying to tell them it was for their own good, as we're still getting frost warnings, but they don't believe me, even after I dosed them with a hearty splash of fish fertilizer!)

Little Bird clung there for a minute or two, gasping dazedly with open beak. I put on a glove and reached my hand oh-so-slowly in the bird's direction. To my surprise, it didn't flutter or try to get away, but calmly stepped from the window munton right onto my outstretched hand. I walked with it to the open door, but it was still getting its bearings and simply perched on my fingers, blinking back at me. We perched together for a few minutes, there, both marveling at the unusual company we'd come to keep.

It didn't seem right to hold the wee wild one indoors, so--bird still perched calmly on hand--I stepped across the threshold, down the steps, and towards the blooming pear tree in the orchard. Nuthatches aren't known so much for branch-sitting as they are for trunk-hopping, and their preferred habit is to move downwards, headfirst. I stood a few feet from the tree, pondering the best method of transfer, when the bird finally found its bearings, stirred, and flew, alighting on the trunk about seven feet up. It hopped and skittered a bit, testing its feet and watching me with an odd mix of interest and unconcern. Then it flew up into the branches, amidst the faintly fragrant blossoms, and uttered a series of buzzing little notes, as if to say, "Right, then, all's well that ends well, er...as you were. Let us both be moving along." I paused just long enough to document the day, then respectfully departed.


What a lovely, odd visit. It was kind of the nuthatch to endure my assistance with grace--it restored a pleasant light to an otherwise frustrating avian-involvement day. You see, for the last few days, we've had chicken eggs hatching in the incubator, and something went mystifyingly, dreadfully wrong about halfway through the hatch. The first seven birds came through fine. The temperature and humidity seemed right where they ought to be, and several additional eggs were "pipping" or showing signs of activity. The next chick that hatched out seemed to labour a bit too long, and it looked woeful when it finally hatched. It didn't live long enough to join the others in the warm little paper-lined box next to the incubator. After that, the pipping eggs just...stopped. I waited and watched through the little plastic window. Usually they'll rock a bit, peep now and then inside the egg, and then exert themselves in shell-pecking and struggling for a furious second or two before resting up for the next urgent effort. Instead, the eggs--four of which already bore tiny, newly-pecked holes in their shells--gradually stopped rocking, quieted and became still.

I'm still not sure of the culprit--did I not turn them often enough as they were developing? Was there a sudden dip in temperature in the middle of the night, perhaps, or did the humidity drop below the preferred level? Well, there's nothing left to do but clean out the defunct eggs, scrub the incubator down, and try again--maybe with a fancy digital thermometer/hygrometer this time around.

At least we have seven beautiful chicks to show for our efforts. Only one is clearly a hen (they have darker coloring than the Golden Comet males, even as chicks), so it looks like most of these are destined to become Sunday Suppers: plump little roasters lads who will live out their short but happy lives in an outdoor pen in the front yard. I wish I'd had more hens, as there are customers waiting. I'll have to call them and let them know they'll have three more weeks to wait. Now, I'd best be bustling off to the barn to collect today's eggs and start all over again!

To show you how well-suited our new hatchlings are to this Celtic Homestead, I've posted a video taken during the hatching. It's a bit long and rather blurry, like most birthings, but you can clearly see the egg rocking in time to the bagpipe recording that was playing downstairs!