Showing posts with label Celtic. Show all posts
Showing posts with label Celtic. Show all posts

Tuesday, September 13, 2011

On Women Warriors

We were two drab birds in a sea of pink feathers. It was "Race for the Cure" day, and hundreds of women had convened, along with the occasional spouse or offspring, in the city park on a bright September morning to run, raise awareness, and raise funds toward "the cure" for breast cancer.

Many of the women--and men--had race numbers pinned to their shirtfronts. Most also had pink placards pinned to the backs: "I run in celebration of... Aunt Sibyl." "I run in memory of...my Mom." Some had multiple names on their backs, or stitched on their pink baseball caps, or painted with glitter-glue on their running shoes. It was clear that each person there had some history of suffering or loss, some painful connection that they were determined to honour, to remember, or perhaps even transform with the beating of their hearts and the pounding of their feet. The joyful silliness of their various decorations was an understandable attempt to inject some levity into a serious remembrance.

We were there because my partner, The Piper, had taken this on as an annual volunteer gig. She was in her usual tartan gear, pleated wool in dark greens and blues, befitting the job. No-one would have expected otherwise. I, myself, had dressed to go off to church afterward, and I'd chosen a blouse and pants of earthy brown. As we walked into the pink-balloon-bedecked park full of colour-coordinated racing and walking teams, I hesitated. I felt like a wild moorhen who had blundered into a flock of migrating flamingos.

The park periphery was lined with booths from event sponsors. The Dunkin Donuts booth was mobbed, race-goers squealing with delight at the thought of unlimited free donuts and coffee. Across the way, the Hannaford supermarket booth workers were handing out healthier fare: apples, granola bars, and bananas. They had far fewer takers. (I admit I helped myself equally: one donut, one banana. They both looked perfect but tasted, well, somewhat less than that.) I looked around at the piles of "bling" arrayed in each booth: magenta shoelaces, pink ribbon temporary tattoos, treats and whigmaleeries of every description, all of them dyed or emblazoned or bedecked in some variant of rose, fuchia, blush, raspberry, carmine, cherry blossom...

The brightest display was at a booth near the stage. A banner above the booth declared "FORD CARES." Three pert young blonde women stood in the booth, each sporting a bright batik scarf tied in a uniquely fashionable style. Two men flanked the booth, handing out bling-bags to everyone who walked past. I ventured up, curious. One of the men flashed a smile and handed me a bag. I opened it to find the same scarf, with a "made in China" sticker and two brochures for Ford's charity line of Breast Cancer Awareness clothing: "Warriors in Pink." Above an array of abstract "tribal" symbols like spirals, wings, chevrons, hearts and birds, the brochure declared, "EVERY WARRIOR NEEDS AN OUTFIT."

What?

I looked around again at the hundreds of pink-bling-bedecked women around me. I thought about Rachel Carson, who wrote "Silent Spring" and died of breast cancer herself. Breast cancer is an environmental disease. It is caused by a complex array of factors, many of which are linked to the pervasive, endocrine-disrupting toxicity of the chemicals we eat, wear, drink and breathe in our mass-manufactured society. Those chemicals could be in the free pink plastic water bottles and the free temporary tattoos. They could be in the colored paper and the glitter paint. They could be in the very dyes and fixatives and wrinkle-preventers of those free "Warriors in Pink" scarves. The garment workers in China--probably women--who make those scarves could be exposed to much higher levels of those toxins than we are, we privileged North American recipients of this well-designed, well-marketed corporate charity bling.

The opening ceremonies began and The Piper went up onto the stage. I watched her stand, compose herself, and strike in the pipes. A murmur went through the crowd and people turned to look at the tall, tartan-draped figure playing tunes from another century. The harmonic drones of this ancient instrument took me back to my own "tribal" roots, and I thought about the women warriors of the Celts and the Picts. They earned the respect of their enemies not for their outfits, but for the lack thereof. They were known for charging into battle with very little on indeed, a demonstration of pure intention, confidence, and bravery that came from years of careful discipline. There is some evidence that ancient schools existed to train warrior women in the Celtic/British/Pictish lands. They began their training as girls and grew into powerful women and formidable adversaries.

The fight for cancer is unaffected by outfits. Every warrior does NOT need one. We contribute to the fight against cancer when we refuse to use the host of unnecessary chemicals around us. We build our defences by deflecting the pointed arrows of corporate target marketing. We fight cancer by refusing to pour poison in our yards and in our homes. We fight cancer by refusing to apply chemicals to our hair, our nails, and our faces. We fight cancer by educating ourselves and each other about environmental toxins. We fight cancer by speaking up and speaking out, demanding more regulations to protect our bodies, our air, our soil, our water, our land. We fight cancer by declaring that our poorer sisters and brothers in industrial waste zones deserve the same standards of environmental safety that we do.

We may yet be warriors. Let the beauty of the earth be our ritual decoration. Let our own empowered active lives be our tribute to the fallen. Let our bodies and spirits reflect the purity and healing we seek. And when a restored and healthy planet answers our efforts with showered blush-tinted blossoms, THEN we shall bedeck ourselves in pink.

Tuesday, February 1, 2011

Imbolctide

The wheel of the year turns once more, and we arrive at Imbolc, one of the four "cross-quarters" or turning points of the Celtic agricultural year. This is a festival sacred to Bride (a.k.a. Bridgit)--an Irish Goddess or Saint (you choose!) One excellent reflection on this festival can be found here. Here on the farm, we're celebrating in grand style: we're going to play at yoghurt-making while pumpkin soup simmers on the woodstove. There are also rumours of a whipped-cream cake in the making, to be flavoured with lavender or whisky!

For Northern, pre-industrial folk, this was a hard time indeed, as winter storage foods dwindled and the prospect of new nourishment glimmered and wavered far off in hunger's haze. Imagine, then, the joy that came with fresh milk as lambing time approached and the ewes "bagged up" in preparation! The old name for this cross-quarter is "Imbolc," from old Celtic words for "ewe's milk." Traditional feast items for this time featured milk and cream and butter and cheese. If you don't have time for fancy stuff, celebrate by making a yoghurt smoothie!

In the deep February cold, this was also a time to celebrate fire--the fire of creation, captured in the blacksmith's work as well as the poet's inspiration. Smiths and poets were celebrated along with midwives and dairy animals. In fresh milk and creative fire, the hopes of earthborne people are renewed!

Here is a bit of bardic work for Imbolc, with a nod to Robbie Burns, Violet Jacob, and other Scots poetic forebears. (Hmmm. Haggis & Neeps might deserve a place on tonight's table, as well. They, too, are seasonally-appropriate elements for an Imbolc feast!) The poem incorporates the imagery of the "Cailleach," (pronounced KYLE-yok) or Old Woman of Winter, whose silver hammer kept the ground hard and cold until Spring.

IMBOLCTIDE

When yon Auld Grannie gyres an gimps
an unco dance on cranreuch groond
an gies her sillar curls a crimp,
Ye ken that Imbolc's comin roond.

When sillar hammers, blaw for blaw
fa habber-haird in hinmaist hone
then haud ye fast, for soon the thaw
will prize awa cauld winter's loan.

Nae lang she'll lanesame bide, nor sup
Wi'oot the dochter she lo'es best;
Nae grannie redds the kailyaird up
But for the thocht o some comin guest!

Nae mair the lanesame anvil-drum
Will mark the pace o Grannie's dance--
The Lass o the Lintin Wand shall come
An lowpin lambies hae their chaunce--

For Grannie Cailleach's time grows short
An wee snaw-drappies rowthie ring
for Bridgit cams, blithe hope tae sport
An after Bridgit cams-- the Spring!


--copyright Mainecelt 2011

Glossary: unco=strange, cranreuch=frosty, ken=know, Imbolc=Celtic Feast/source of Groundhog's Day, blaw=blow, fa=fall, habber=stutter, hinmaist=last, haud=hold, prize=pry, awa=away, wi'oot=without, dochter=daughter, redds the kailyaird up=cleans the place, thocht=thought, comin=coming, Lintin Wand=glinting wand of Bridgit, lowpin=leaping, chaunce=chance, Cailleach=crone/Celtic Earth-Goddess, snaw-drappies=snowdrops, rowthie=abundantly, cams=comes, blithe=joyous

Saturday, September 12, 2009

News Flash-- Bye, Bye Birdie

We interrupt our regularly scheduled blog post to bring you this important update: as of this morning, all surplus roosters have been...um, dispatched. The year-old broilers-turned-stewbirds, denizens of the Very Bad Year, pre-dawn hellish harmonizers, feathered idols of concupiscence and caprice...them birds had to go.

For the sake of more squeamish readers, there will be no pictures of the process. Suffice to say that the knife was sharp. They were dispatched most humanely with reasonable skill and speed. We thanked them and vowed that nothing would be wasted...and nothing was. What didn't end up in the freezer or the stockpot went to fertilize the garden. As the Wise Ones say, "everything is food for something else."

These birds have been a bane for so long that the final bird's death felt like more than just another unpleasant-but-needful barnyard task. It felt elemental, primal, like an offering of sorts, or some ritual banishment of bad spirits. Perhaps offering IS the correct word. We offered its soul back to the Cosmos and its blood and feathers back to the earth. We transformed its body into more nourishing forms. With these acts came a lightness, a curious sense that we have released ourselves from the taloned hold of last year's suffering.

Did our Celtic and British ancestors feel these things, when the wheel of the year turned to harvest and their hands fell to the hard work of culling and butchering? Did they offer prayers of release? Did they sense the tenuous, terrifying beauty of nature's balance? Did they speak aloud their thanks, breathe deeply, set their jaws, and bloody their hands, killing and taking only what they had to, using everything they possibly could? And were there special words or tales or tunes to honour all of this?

I found the tune of an old wassail song welling up in me as we worked. There are many wassails-- songs of seasonal blessing and honour, from ancient roots meaning "be whole." (There is one called "the Apple Tree Wassail" that I sing to my fruit trees when I plant or prune them. I am of the belief that no creature, rooted or footed or winged, can be too often blessed.) I reshaped the words to our purpose and sang them--not cavalierly, but with genuine joy, recognizing that every harvest is a time of death, but reapers need not be eternally grim. There is a time to reap. There is a time to sow and a time to gather in. It is good to move with The Great Wheel's Turning.

Goodbye, roosters. Farewell, four-thirty A.M. alarmers. Tomorrow is the sabbath. We shall celebrate by sleeping in.

Friday, August 7, 2009

Friday Five: Wind in My Sails

Sally, over at RevGalBlogPals, writes:
"... sailing is a family passion, we love the water and the wind, and take delight in the fresh air and quiet, but also in the competition, striving to do our best!
How about you?


1. Is there a sport/ hobby that is more of a passion than a past-time for you?
I've never been one for sports, although I do like salt-water swimming and Messing About In Boats and I adore a good game of Extreme Croquet.
My hobby/passion is the exploration of folk culture and traditions--especially those of the British Isles. (I come by this anthropological bent honestly-- growing up in a multi-ethnic family with three adopted siblings, intercultural study was simply a part of daily life, and provided a goodly portion of our family fun.) With some like-minded friends, we even started a nonprofit organization to support our folk culture habit, although it's in "sleep mode" while we finish building our house. The Piper and I have justified the purchase of many a CD and weighty ethnographic tome by saying, "It's all for the Ceilidh House library, of course--and we'll use these as reference materials when we teach our bagpipe and Gaelic language students!"

2. Outdoors or indoors?
Outdoors: festival-going, "ethnically-correct" gardening and orchard-tending with heirloom plant varieties, and staying close to the salt water that bouys my spirit and connects me to my ancestors. Indoors: delving into books, gathering with other folklore enthusiasts, swapping stories, and having great music session around the woodstove.

3. Where do you find peace and quiet?
Not sure right now-- it's been a hard year. I seek peace in the slow intake and release of breath, the comfortable closeness of my partner, the gradually-revealed beauty of our almost-finished house and the slowly-emerging health of our land. Quiet is easier to find than peace--I am thankful every morning and every night that I can begin and end my days surrounded, almost entirely, by natural rather than human-made sounds. (I'll relish the quiet more fully when I can find my missing whetstone and "take care" of a couple of extra roosters, if you know what I mean!)

4. A competitive spirit; good or bad, discuss...
A competitive spirit is like fire: a good servant, a terrible master, and dangerous to play with. I appreciate its ability to overcome inertia and get a person moving towards a goal, but I don't like the way others tend to be left in a person's wake. I should come clean and declare, right here, that I am a vicious card player, but fortunately my commpetitive streak is matched by a tendency toward distraction and terrible bad luck in the dealing of hands.

5. Is there a song a picture or a poem that sums up your passion ?
I've posted links to Richard Hugo's poem, Glen Uig, in previous posts. It captures some of the essential pain and joy of reconnection to one's past. Here's another poem from Cathal O Searcaigh, translated from Irish Gaelic by Gabriel Fitzmaurice:

A Portrait Of The Blacksmith As A Young Artist

I'm sick and tired of Dun Laoghaire.
Of my bedsit in Cross's Avenue,
A pokey place that cripples my wordsmith's craft
And leaves me nightly in the dumps
Scrounging kindred among the drunks
Instead of hammering poems for my people
On the anvil of my mind.
Almighty God! It's gone too far,
This damned silence.
If I were back in Caiseal na gCorr
I'd not be awkward, half-alive.

No way! But in the smithy of my tongue
I'd be hale and hearty
Working my craft daily
Inciting the bellows of my mind
Stirring thoughts to flame
Hammering loudly
The mettlesome speech of my people.


--found in Writing the Wind: a Celtic Resurgence: The New Celtic Poetry, ed. Thomas Rain Crowe.

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Sunday, July 26, 2009

What the Gussuck Said

I went to college in Alaska, where the Alaskan Native students sometimes referred to us pale-skinned incomers as "Gussucks." The word was sometimes a playful jest, sometimes a stronger epithet. I understood it to mean, to them, what "Yankee" means to a Southerner and what "Sassanach" means to a Gael. Even when used among friends, with winks and grins, the word has a cutting edge. It was not, shall we say, a compliment.

This morning I participated in a sunrise ceremony to cap a week of indigenous observances known as "Wabanaki Days." The clergyman who usually shares in the service was unable to attend, so I was invited midweek to step in. I was asked to offer a Gaelic invocation and a brief homily that would acknowledge the connection between Euro-American immigrant heritage and our state's indigenous peoples.

This was not an easy situation--Native elders would be participating with drumming and prayers from their traditions, and I was not only the new kid on the block, ceremonially speaking, but a gussuck as well. The invocation wasn't worrying--I had a volume of the great Hebridean ethnographic work, Alexander Carmichael's Carmina Gadelica, and it was full of prayers honoring the elements, creatures, and Creation. I drew on prayers to the sun and the new moon, as well as a blessing that speaks of "power of raven, power of eagle...power of storm, power of land, power of sea..." These ancient prayers allow the Gaelic tradition to speak for itself, while affirming other indigenous earth-centered traditions.

The homily was harder. I knew the sight of a clergyperson in an alb could trigger anger, distrust, and generations of resentment. I debated whether to wear my alb at all, but I wanted to wrestle with the challenge-- the challenge to myself, to conduct myself with utmost humility and respect, and the challenge to them, that my witness might move them to reconsider their long-held assumptions about the general toxicity of anything associated with the Church. My offering of words would be a part of that witness...but hey, no pressure, right?

When we arrived, the stone ridgeback of the point was shrouded in heavy fog. Only barely could we make out the shapes of others emerging from their vehicles in the pearly half-light of dawn. I saw one of the elders cast a disapproving glance my way as I pulled on my alb over my regular clothes. A couple minutes later, she came up to me and asked what church I came from. I said, truthfully, that I'd worked with many different groups and gatherings, but I was a part of the U.C.C. (United Church of Christ.) She leaned close and looked me squarely in the eye. "Is that one of them conservative churches, or liberal?"

"Progressive...er...liberal." (I tend to stumble when using the L-word, as I find it an unhelpful and troublesome term, but I knew she was waiting to hear one or the other of the words she'd offered me.)

She leaned even closer, her eyes squinting slightly, pinioning me with her glare. "So, which kinds of folks does your church exclude?"

An unintended smile of pure relief spread across my face. Of course she had every right to be suspicious, to be angry. But what a wonderful question, and how deeply satisfying to say, with absolute honesty, "why, we belong to this church because it doesn't exclude anybody! We welcome everyone!"

It wasn't the answer she was expecting. She actually looked a little disappointed, a little unsettled by my response. But by then people were joining the circle, gathering to take part in the ceremony. We both turned our attention to the work at hand: the acknowledgement of arrivals, the hailing of honored guests, and the clearing and blessing of this sea-carved, salt-washed, mist-wreathed sacred space.

There were words of welcome. A match was set to a small bundle of sacred leaves cradled in a seashell, and the smoke wafted among us, ritually purifying all that it touched. The drummer lifted his drum and sang, in its rhythm, words our bodies could all feel even if some of our minds could not comprehend. Two elders shook rattles in time to the drum. They spoke more words, some in their native languages and some in translation, for the benefit of us gussucks. At their invitation--a nod in my direction with the statement, "Now, I guess we're gonna hear some Christian-churchy-Lord-in-heaven prayers..." I offered the Gaelic invocation I'd prepared, along with an English translation. Two tongues, two languages, slowly revealed the meaning of the prayer, and with each stanza their eyes widened. "Oh King of the elements, be ours a goodly purpose toward each creature in Creation..."

Perhaps they felt a little of the shock of recognition I felt, when first I discovered those words more than a decade ago. My Pacific Northwest upbringing had exposed me to the stories and teachings of many Native peoples, and the words of Black Elk and Chief Seattle were regarded with the same respect accorded to the Christian Gospels. I grew up hungry to embrace teachings that honored the Earth, yet I was fiercely aware of the innate wrongness of "playing Indian." Only when a visiting bard--David Whyte--gave a lecture series on "The Celtic Imagination," did I discover the mythic characters of Salmon, Raven, and Deer in a context I could wholly embrace without borrowing the cultural trappings of others.

Other words, silence, and music followed. The Piper offered her own musical gift, and as she struck in to an eerie tune on the pipes, the elders reached out and signaled for all of us to take hands and make a circle around her. The thrum of the drones, like the beat of the drum, moved in our blood and our bones as well as the mist-laden morning air. It seemed like a suitable and satisfying end. I tucked my now-damp folded notes behind my back, hoping I was off the homiletical hook. No such luck. The same elder who had confronted me at the beginning fixed me, once again, in her sights. She nodded to me. What was I doing there? I was no elder, no great storyteller. Surely I didn't belong... But she was, after all, in charge, and she was telling me to speak. I took out my notes, apologized for relying on them, and began:

We are border people. Like a basket's woven design or Celtic knotwork carved into stone, our life shows most clearly at the edges. What beauty we have lies where pieces are split and broken, where the ragged ends are tucked and woven in.

We are journeying people. Along these edges we move, back and forth, backward and forward, and we carry this history on our back. It weighs us down, like a creel full of seaweed. It pulls and presses, like a basket heavy with stones.

My ancestors were Scottish and Scots-Irish immigrants to Maine. They came on ships from the lands of their people, the coastlines and hillsides that knew them best, held their stories, held their bones. They came as unwilling passengers on packet ships. They arrived awkward and ignorant and scared, like many of their fellow immigrants, having been burned out of their homes and pushed off their land by poverty, circumstance, or government agents.

A story: The British government spent years conducting military campaigns against the Scots and the Irish before they made their raids on the so-called New World. Francis Drake, Walter Raleigh, and others used Ireland as a proving ground, a convenient neighborhood of savages to be cleaned up and cleared out. After four years on the blood-soaked frontier, one English correspondent sent this description back:

“Out of every corner of the woods and glens they came creeping forth on their hands, for their legs would not bear them. They looked anatomies of death; they spake like ghosts crying out of their graves... in short space there were none almost left and a most populous and plentiful country suddenly left void of man or beast.” The “void” meant vacant lands for English resettlement. This was the Irish frontier in 1596.

Meanwhile, the SSPCK--the Society in Scotland for Propagating of Christian Knowledge--was intent on stamping out “the barbarian tongue” of Gaelic, the first step towards civilizing the “Wild Scots” of the Highlands. They also busied themselves with New World heathens. In 1735, they began a search for a missionary to preach to Native Americans in the Colonial territory of Georgia. They settled on one Reverend Iain MacLeoid. A Gaelic-speaker, they believed, would be able to converse with the natives quite easily--one barbarian to another.

Less than a generation later, my ancestors came. Like other immigrants, they came for many reasons. Some were good reasons. Some were less than good. Whatever their reasons, they did not arrive entirely without skills--they may have known how to weave and spin, how to carve stone or tend livestock, how to write or keep accounts, but they did not know all that was needed to survive in this unfamiliar land.

Some were so used to fighting, they never learned how to unclench their fists. Kicked out of their own land, they signed up as soldiers to shove other people off their ancestral lands. They remembered how to fight, but they lost touch with the ancient codes of honour that once governed their battles. We cannot be proud of what they did, but we can try to understand the reasons behind their ignorance and fear. We remember them as we remember the dark length of our shadows in the clear light of the rising sun. We cannot shake their darkness away from us. It will follow us always.

Some of our ancestors did not forget the old ways. They remembered that, at the shining heart of their culture, there were sacred rules of hospitality. They understood what it meant to offer food to hungry wanderers, to offer shelter to a stranger. They were humbled to receive the compassion and care of this land's Native Peoples. Without this kind and patient guidance, they would never have survived the biting cold and the bitter winds. With it, they endured beyond the edges of starvation. And because some of them kept the old ways alive, they understood that such actions bind people together and create community, as surely as two colours interwoven become a beautiful design.

We are still travelers, still border people, living at the thresholds of land and sea, standing between cultures, standing at the threshold of survival itself. We still reach, blindly, in our dreams, for that sweet promise of a land called home. We still struggle to find our place in Creation's intricate design, a place in the great pattern of justice and peace where we genuinely belong.

What we must acknowledge is this: we have not made our own way in this world. We arrived here and survived here through the care of countless others, people who helped us over the threshold, cared for our bodies and souls, and ensured our survival in a thousand different ways. We live as a result of their risks, their gifts, their love.

This, then, is how we honor your ancestors and ours: we come back to this place of rough edges, and with the Creator's gracious Spirit and the Travelers’ tales to guide us, we remember. We strive not to repeat the mistakes of our oppressors, who called everyone savages and brutes and other less-than human names. Instead, we humbly recognize that we share this land and this fully human story. We humbly acknowledge that we must listen more deeply as stories and old ways are shared. We are called to move together in this open space, to weave together, from our rough edges, a design of healing and promise, a design of wisdom and beauty.


--copyright Mainecelt July 2009

Source notes: this homily made use of material from the following history texts: Ronald Takaki, A Different Mirror: A History of Multicultural America, (Boston, Little, Brown & Co., 1993)

Michael Newton, We’re Indians Sure Enough: The Legacy of the Scottish Highlanders in the United States, (Saorsa Media, Auburn, NH, 2001)

Photo of Alaska Native mask found here.
Basket image from Diane Kopec collection at the Abbe Museum.

Friday, May 1, 2009

Friday Five: Celebratory Ritual Edition

HAPPY MAY DAY!!!

Sally, over at RevGalBlogPals writes, "It is the first of May, or as I have been concentrating on dialogue with folk interested in the new spirituality movement this last week, it is Beltane, a time to celebrate the beginning of summer... I believe that we live in a ritually impoverished culture, where we have few reasons for real celebration, and marking the passages of life;

So


1. Are ritual markings of birth, marriage, and death important to you?

Children engage in creative play to learn how to be human. I believe rituals, at their best, are a kind of sacred play that reminds us of--and calls us back into--our fullest and most inspired humanity.
Rituals can bless or curse, invigorate or drain a person and/or a commmunity, so they must be thoughtfully crafted and conducted. There are so many funeral stories in which poorly-chosen words or poorly-done rituals contributed to, rather than eased, the pain of the mourners...there are also countless stories of the pain caused when a meaningful ritual is withheld or denied. I stand in solidarity with my GLBTQ brothers and sisters, here-- may we all experience rituals that bless our loving parnerships and allow us to name that love in a circle of caring support and communal accountability.

2. Share a favourite liturgy/ practice.
Only one? Impossible! I have too large a liturgical appetite. Here are two: First, I pray each night by cupping my hands, filling them with cool water, and drinking five draughts from my hands. The first four draughts are for the four directions. As I drink, I think of one direction and its traditional associated gifts. As I fill my hands the fifth time, I say to myself, "and one for the Center of All Things..." and I drink deeply in honour of God's Spirit. I love this simple ritual: so brief, yet so sensual and centering.
Second, (appropriately, on this Bealltuinn/May Day), I sing to my fruit trees when I plant them. There's an old British folk song called "The Apple Tree Wassail." I sing it three times as I plant the tree and water it deeply, to bless the plant in its new home, "to grow well and to bear well and so merry let us be..."

3. If you could invent ( or have invented) a ritual what is it for?
In response to the relative lack of coming-of-age rituals in American culture, I made up a ritual for myself as a young teenager. Each full moon, after everyone else had gone to bed, I would stand on our back porch and look up at the moon. Standing there, I would reaffirm myself as a child of God, offer myself in service to others, and ask God to help renew and refill me, the way the moon returns to fullness. I always wished there was someone else, some counsel of wise elders, to conduct such a ritual. Without them, I made my own. Perhaps someday I'll be able to offer such a ritual to others.

4. What do you think of making connections with neo-pagan / ancient festivals? Have you done this and how?
The words of Chief Seattle, Black Elk, and other Native American wisdom-keepers surrounded me during my childhood in the Pacific Northwest. I considered their teachings on equal par with the Christian & Hebrew scriptures, but I felt a deep unease, as I had been taught it was not right to "play Indian" or borrow thoughtlessly from other traditions. When I began to study my Celtic heritage, I found my old mythic friends, Raven, Deer, Tree, Sea, and Salmon, recast in a guise I could happily own. I also found, in the language and poetry of my heritage, an exquisite sensitivity to, and respect for, the sacredness of Creation.
I have dear friends who have chosen the path of neopaganism. I respect that path, yet, while it offers much in the way of inspiration and sensory engagement, I find it does not feed my need for moral discourse and ethical education. The Celtic Christian tradition offers a better balance of all these things, at least for me. The Celtic expression(s) of Christianity, along with Celtic poetry and folklore, have become the bones and muscles of my faith.

5. Celebrating is important, what and where would your ideal celebration be?
My favourite image of the Kingdom of God is that of a ceilidh: a participatory creative gathering where everyone is welcomed and included and all our creative gifts are celebrated. (Ceilidhs [pronounced KAY-lees] were the standard evening entertainment of Celtic communities prior to the advent of electricity and mass media. They still happen in some places.) Modern ceilidhs tend to be carefully packaged and orchestrated, but the best kind of ceilidh can still be found--or created--now and then in a parish hall, around a campfire, or in a crowded kitchen, with old folks telling grand stories, children romping about, musicians playing with enthralling rhythms and harmonies, and singers singing their hearts out as all join together in the blessed creative--and re-creative--feast.

Tuesday, February 17, 2009

Phoenix-- A February Praise-Poem

Among her many gifts, the Celtic Saint/Goddess Bridgit is a Keeper of the Flame. She watches over hearths and forges and every flickering hope. She tends the lamp of learning and tenderly breathes life into the dull embers of creativity. She is a patron of midwives, blacksmiths, and poets.

This morning, the outside thermometer registered fifteen degrees at 7:00 AM. Amidst the challenge of morning chores, the words of a poem hovered, then gathered around me, a knitted scarf of sparks. The year's Dark Half is more than halfway done. There are whispers of survival...perhaps even a faint murmur of spring!


PHOENIX


Hands slowed and stiffened
in the aching, hushed cold
before sun comes...
My body huddles closer,
unwilling to unfold.
In our small barn, a muffled rooster sounds,
His crowing hesitant and slow.

Other animals stir and wake.
Above the sudden, unleashed flurry
of canine play,
the sensible cat shifts
and returns to sleep.

Once outside, our steps sing
brittle and broken
emptily echoing the shatter and scatter of ice,
the dull ring of zinc and tin,
the trough's frozen rim.

We carry the waterers in
to thaw on the broad black expanse
of the old woodstove.
We prepare the spare and elegant
meal within:
the old news, the splintery sticks,
the handhewn wood,
then strike and introduce the pale, thin match.

Ah! We watch it linger, lick,
then taste and catch.
Flame flickers faster, feeds
on fuel-feast...
Oh, bless this
wild, wee elemental beast!
Oh, murmur and sing
and praise
this sweet, uncurling heat--
this welcome warmth--
this marvelous box of fire!

--copyright Mainecelt 2/17/2009

Monday, October 27, 2008

Into the Gap...


The Bluebirds of Gappiness showed up again on Saturday. This time, it was a mated pair, flitting between milkweed stalks and fenceposts by sudden, urgent turns. I wonder how much longer these messengers will remain before they start their annual migration, leaving Wise Old Raven behind as official mystic courier of the Frozen North. Perhaps they'll make the switch at Samhainn, (pronounced "sow-when"), which literally means, "Summer's end."

It's almost time... which, as a person with so-called A.D.D., is a state of being with which I'm most familiar. (I prefer to think of myself as "multifocal," since it's not a lack of attention, but non-singular attention, that best describes my style of engagement.) One book about A.D.D. describes the afflicted as "hunters in a farmer's world." While it's true that hunters spend a lot of time scanning their horizons, I don't buy this idea either. I've never met a farmer who DIDN'T have to keep their minds on a hundred things at once.

The more I study my Celtic roots, the less my so-called disability distresses me. Celts, it seems, have always understood the complex and flexible nature of time. Celtic philosophers and theologians have long recognized time as an embroidered tapestry, a mesh of the interwoven, the knotted, and the wrapped. An old Gaelic hymn to the Christ Child includes the declaration that, "although You are not yet born, people are praising the great things you've already done." The Divine Child is both "already" and "not yet." This speaks deeply to me. It describes my state of being, much of the time. It also reminds me that, as a Chronos-bound creature, I have my work cut out for me. I know, full well, that I can't afford to stop TRYING to do things "on time." I will never stop struggling to do business promptly and show up prior to the official start-time of shifts, classes, and meetings. This may never be an arena of particular personal grace.

Yet Grace does come--and it comes, most often, when it's "About Time." It is when I am most awkward, most unsure, and most open that the Holy Spirit shimmers and flutters and blazes into view. Poet Ted Loder calls this, "teetering on the edge of a maybe." I perch on the edge of self-doubt, which strangely doubles as the edge of cosmic acceptance. Grace unfolds in those awkward spaces between naughts and oughts. I am challenged, continually, to live more fully and step more willingly into the gaps.

And now it is Almost Time for one of my favorite Gaps of all: Samhainn, the Celtic New Year. Like Christmas and Fat Tuesday, this has long been celebrated as a "time beyond time" when the shackles of society are shaken off in favor of wildness. Yes, there's a sinister side--tricks can be cruel and damage may be done--but the essence of this time is a holy one. Where and when else, in our fast-paced, artificially brightened lives, are we given permission to see and acknowledge the dark?

Like the Jewish people and many other ancient agricultural societies, the Celts recognized darkness as the necessary time/place for all beginnings. Each new day begins at sundown. The year starts when the cold creeps in, the light wanes and the hard labours of harvest come to an end. It's a welcome respite, a seasonal sabbath. Seeds rest in the soil, new life sleeps in the dark womb, and all wise people take time to laugh and rest, doing the crucial work of re-creation, singing and sharing tales among deep shadows and flickering light.

Among the shadows: not an easy place to be. Yet our shadows demand attention, as our brightness continually invents them. Samhainn may wear the disguise of No-Man's Land, but what it really offers is Common Ground, a place for honest hopes and unreasonable fears to meet. Here is one meeting I will not miss. Here is one lesson for which I dare not show up late. (Hurry! Finish the wiring in our new house, so we can turn off all the lights!) Now is the time to step into the darkness, dance and wrestle with the darkness, shake the grief loose from my bones, mourn for all things returned to earth, and dream of new life that shall spring.

Happy New Year! May this "Almost Time" become a celebration. May we dance and weep around the bonfires of loss, feast on the richness of our memories, and--in dreams--step into the future's blessed embrace.

Thursday, October 23, 2008

If it's nae Scottish...

Ah'm...weel...gobsmacked!

Maine is the landing-place of my immigrant ancestors. My journey here has echoed theirs, in a way, as my settlement here came at the end of a month-long pilgrimage through Scotland's Highlands & Islands, a graduation gift from Celtophile friends. (That was the only time I've ever been to Scotland, but it felt eerily like home. I flew into Glasgow, took the train north, and blythely wandered from one island to the next, taking Gaelic language and music courses along the way.)

Although I will always be "from away," as the locals say, this place has drawn me back and caused me to put down roots. As my circle of Maine friends has grown, so has my delight in the state's strong Celtic connections. I discovered that Cornish fishermen were among the first European settlers in the early 1600s. I found place names like "Edinburg" and "Belfast" and "Wales." Thanks to a long line of Celtic travelers and settlers, Celtic concepts and ideas permeate the fabric of our state's culture and history. Scots words like "muckle" remain in regular usage, though the meaning has shifted. Knowing these things, and knowing my own family's history of immigration from the Scottish port of Ayr to the Maine town of Livermore Falls, I found myself moved to write. My mother's forebears--Border Reivers, rebels and patriots both--demanded a broadside ballad or a song in praise of the homeland. My father's forebears sternly recalled their heredity as brieves or law-keepers. Their ghosts called for justice, for memory's long reach.

English words didn't suit the task. I chose to write in Scots--which felt strangely comfortable, after listening to Scottish folk music and reading Scottish literature for years. Poet David Whyte once described the task thusly: "poetry is the art of saying something to yourself that you find it impossible to go back upon." I read and re-read my work to make sure it fit Whyte's description...and it did. But then I decided to submit it to a poetry contest--the only Scots-language poetry contest of which I knew, a contest that happened to be in, well, SCOTLAND.

Now the poem had to meet a more serious standard. There would be hours of fact-checking before I could take the bold and brazen step of sending the poor shivering little thing to its judgment and probable death. I searched Scots language websites, flipped back and forth through phrasebooks and dictionaries, and feshed michtily ower whether Ah'd done it richt. Finally, I sent the poem off by e-mail, expecting it to be quietly engulfed by, and lost among, the hundreds of other contest entries. It was enough to feel that I'd done something to honor my ancestors, and that I'd put great effort into doing it as well as possible with the tools I had at hand.

Here's the poem I wrote, with a caveat that you may need a good Scots dictionary nearby in order to understand it!

Screevins Frae a Bothy in Maine

Oot ayont Lewis, ayont the last lintin wing-tip
o skirlin seabirds, careenin aff craigs
whaur dings doon the ruddy Western sun,
Oot ayont strath an glen, the Border’s rollin hills,
Cap & Goon Toons & kenspeckle kirkyairds,
(Care-wairn & keekin thro lum-reek,
ash o anthracite, orange pips an chippie-wraps),

Oot ayont Ayr, anely-kent port o farin
For forebears kythed, aye, & aince mair mislaid:
(Anither muddle amang the hantle
O “Mester Robert Morrisons” on the leet…)
West o Edin(burgh), but East o the wind-
scourit Nebraska plains, the Idaho cattle-range,
an Puget Sound’s ain/ither Western Isles,
(Grossets in the kailyairds, rhodies on the braes),
Jiggin frae ane tae the neist, us unsettled settlers,
greetin gaberlunzies & sillerless sangsters seekin
Oor ain bit land:

Here, we upbigg the noo, we wabbit crofters,
Gowkin an pawky by turns,
Gang at it, ettlin, same as ilka Scot, dreyin oor ain weird on the wrang shore,
Jalousin some Grait Trowth
ayont the lint-dross, stanes an slaistered muck o History…
Kythin oor native place wis nivir wrestit, an
Kythin oor anely hame’s aye here:
The far-flung, sky-boundit ruim
O the hale blessit yirth.

--copyright MaineCelt
January 4th, 2008

Earlier this week, an e-mail came from a woman who works at the Glasgow Herald newspaper. Aye, that's Glasgow, Scotland, not just another funny Maine place-name. The poem placed second in their international contest, the first overseas entry to ever win a prize. "Astounded" doesn't begin to describe my response. There are a hantle of Scots words that suit my feelings better, but I'd start with our household favorite, "Gobsmacked."

The poem will be read aloud at a celebratory event in Scotland in November. Although I heartily wish I could attend in person, I don't plan to spend my winnings on a ticket to Scotland--it would go against certain ancestral traditions of frugality, as well as our tightly-controlled farm budget. Instead, I plan to put the prize towards the purchase of a decent laptop computer with the hope that good tools and much practice will produce a better--and more frequent--writer!