Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, July 7, 2011

The Gael Who Cried WWOOF

Actually, this post has nothing to do with crying. We are dancing joyful jigs, here on the farm, even if we do have only three knees between the two of us.

Back in November, the Piper hurt her knee while shifting a bag of "pig bread" on uneven ground. Ever since then, it's been a challenge for her to manage the daily farm chores. Physical therapy provided a brief respite, but pain and swelling have continued and even the knee specialist confessed some measure of bafflement.

In between my part-time job and a several-month stint as a hospital chaplain, I wasn't much help to the Piper at Wounded Knee. The young couple who stayed with us during the winter helped somewhat, but their hearts were full of their own farm dreams and they moved on as soon as they found a place of their own. (That move occurred right at Beltane-- May 1st, the traditional start of the outdoor work season.)

So, what can a couple of farmers do when they have one bull, two cows, six pigs, eighteen chickens, twenty-four garden beds and three functional knees? It was time for these two Gaels to cry, WWOOF!!!

The WWOOF program counts as part of our Celtic/British agricultural emphasis, as it began in the U.K. about forty years ago. (WWOOF stands, variously, for "Willing Workers On Organic Farms" or "World-Wide Opportunities on Organic Farms.") Essentially a networking system, it allows member farms to seek assistance while allowing "WWOOFers" to seek hands-on education in sustainable agriculture. Farmers and volunteers arrange the details of each informal internship--everything from a single weekend stay to full-season or full-year engagements. While details vary widely, the program's generally accepted standard is that each half-day of volunteer labour is compensated by a full day's room and board at the host farm.

We signed up with the program in April, as soon as we confirmed our Winter couple's departure date. Inquiries started to reach us a few weeks later. WWOOFers tend to embrace opportunities for travel; our first month's inquiries included folks from Quebec, Tennessee, New York, Taiwan and Seattle. We sent e-mails back and forth, trying to ensure the best match between what we could offer and what others might want to learn. We realized we would be educating ourselves, too--expanding the range of skills needed for task-sharing and delegation. We began to brainstorm. We made lists. We talked with other farmers about the specific challenges of hosting volunteers. We invested in extra blankets and pillows. We developed our own list of questions for potential volunteers and began sending them out as e-mail inquiries appeared...and then we chose our first WWOOFer and the real fun began!

So far, the program has been everything we hoped, and more. Our WWOOFers have pitched in with enthusiasm, demonstrated a wonderful eagerness to work and learn, shown good humour, flexibility, and stick-to-itiveness. We've been fascinated by their wide range of life experiences, their travel stories, and the range of things they've seen and learned on other farms as they WWOOF their way around the world. They're not perfect--they do come to learn, after all, and occasionally a tool gets left in the rain or a veggie plant gets pulled instead of a weed--but overall the experience has been genuinely lovely. Each one comes with their own delightful surprises, too--One WWOOFer turned out to be an absolute wizard in the kitchen and helped us work on a new website for the farm. Another has a great way with a camera and has captured our creatures in some wonderful images and videos. A third came along to the farmers' market with a typewriter and raised money by creating custom poems for market-goers on the spot--an effort I'm doing my best to carry on. Shared evenings around the table are another side benefit--we've found the kind of camaraderie, diverse perspectives and wide-ranging discussions on which we thrive.

WWOOFing may not work for every farmer. We have to relax our expectations and give up some of our perfectionism. We have to remind ourselves sometimes that these folks are still learning; many of them love the idea of farming but are unfamiliar with foundational concepts and basic skills. Others come with tremendous skill AND enthusiasm and we have to reign them in a bit, as we lack the resources to tackle the range of projects they ask to undertake. It's a balancing act, to be sure, but isn't that true of farming and life in general? Might as well meet new folks, share what we know, and make new friends along the way!

So here we are, in all our three-kneed glory, dancing. With each new WWOOFer, we learn a new way to move to the music, a new way to dig the beat (beets?) and enjoy the grooves (furrows!) of this land. The WWOOFers complete our broken circle and help us keep in time as the season calls the tune.

Friday, February 25, 2011

Laughin' at the Hard Times...

Far to the west of here, on a small island in Puget Sound, there once lived three women who loved to sing. Actually, the island was full of people who loved to sing. There were church singers, garden singers, lullabye singers, and rock & roll singers. There were folk singers and filk singers, serious song scholars and raunchy tavern chorus-belters. The meekest music-makers kept to their showers--maybe allowed themselves to occasionally whistle for their dogs in public--but many folks believed that music was something to be shared.

The three women, Mary, Elizabeth, and Velvet, were music-sharers with a mission. They had been singing together for years--in community theater shows, workshops, churches and all kinds of other venues and get-togethers. They started writing their own songs and got together to perform them. They called their trio, "Women, Women & Song."

They sang about common, everyday themes: washing windows, raising children, braces and break-ups and long car rides. To each of life's frustrations they added sweet harmonies, hard-earned wisdom, and joyful comedic twists. I recall one summer appearance on the open-air stage at the Strawberry Festival, when they prefaced a hilarious madrigal-style primer on human sexuality with the warning, "the next song we'll be singing is a little 'blue,' so you might want to hand each of your kids a dollar and send them up the street to buy snow cones now." My mother and I laughed together at the lines that followed:
"Some of us like one lover and one only,
Some of us have lost count and still are lonely.
Some of us can do it just for fun;
Others of us have to marry everyone,
But most of us find a way to get the thing done,
For that is the way of sex."

Mom and I laughed til there were tears in our eyes as the song ranged through its perilous, hilarious territory. Then, mother and daughter, we faced each other with a gaze of mutual understanding at the final refrain:
"...But, ignore sex or embrace it,
In some way you'll have to face it...
For that is the way of,
That is the way of,
That is the way of sex!"


These three women--all around the age of my parents--sang me through adolescence with some of the best messages any young woman could hear. My teenage body-image angst was mitigated by a catchy little tune with these lyrics:
"This body is mine, it'll be what it will,
And I don't plan to change it with diets or pills,
And if you don't like it, go look for another,
'Cause this body's mine and I like it ruther."


They helped me weather other societal pressures and strengthened my resolve to make my own path and pursue my own joys. The following song influenced my mother, too--so much so that she and her best friend eventually started their own organic floral business to live out some of this song's aims:
"I won't wait to be happy.
I won't put it off 'til everyone loves me.
I won't wait until my ship comes in and the freight is all for me...
I won't wait to happy.
I won't put it off until the Great Someday.
I'm gonna grow a bunch of roses--and give roses away."


Women, Women & Song lifted me up and carried me along. I've returned to their music countless times, seeking--and finding-- much-needed courage and humour. There was one song, though, that I couldn't quite join in on. I just wasn't ready to sing it yet--at least, not with conviction. But--folks, I'm here to tell you--THIS morning, I'm finally ready:
"Well, I woke up this morning; didn't feel the same
Felt a new spirit in my heart but I couldn't quite give it a name.
Well, I felt kind of cocky. I felt kind of tall--
And then I remembered, and the mystery was solved:
I'm forty--and I don't care what people think.
I'm forty--and my life is my o-o-own!
I'm forty and I'm happy to just be here,
Laughin' at the hard times that I've known!"


Oh, AYE. With all the courage and wisdom and laughter I can muster, I am ready to face the NEXT forty--and who knows how many more years after that!

So, to Mary, Elizabeth, and Velvet--and all the other singers who've helped me find my own voice--Thanks for getting me this far down the road!


P.S. Women, Women & Song no longer perform together, but Mary is a regular contributor to Vashon's alternative newspaper and she blogs as "Spiritual Smart Aleck." CDs of WW&S are still available.

Credit where credit is due: all song lyrics copyright WW&S and/or the three artists of the trio: Mary Litchfield Tuel, Elizabeth Anthony, & Velvet Neifert. (I lost the cover of my old cassette tape, so I don't know for sure who wrote what.) Tile was made by my sister, Krissie, based on an embroidered jumper my mom sewed for me when I was small. WW&S image can be found here.

Wednesday, November 10, 2010

Housewarming, continued...

We had a ceilidh--a house-party--last week. It was an effort to hold ourselves accountable to joy: the joy we want to feel, the joy we know we should feel, the joy we can't always figure out how to feel. We decided we'd have a handful of friends come over for a potluck, followed by some shared tunes, songs, and stories to celebrate our farm ownership and usher in the Celtic New Year. We figured the presence of friends, feasting and merrymaking, would help us reconnect with the vast array of Goodness that has touched and warmed our lives. Besides, parties are always a lovely excuse to neaten up the house!

We'd had a housewarming party once before-- our friends Bruce & Sue joined us more than a year ago to help us celebrate our official inhabitation of this woodshop-turned-farmhouse. Sawdust was still on the floor and wallboard joints were still waiting to be plastered. We ate at the folding table I use for the Farmers' Market, but we had a wonderful time and together christened the place, "home." Their surprise gift that night, a basket of domestic goodies that included kitchen goods, two wineglasses, and a toy for our dog, proved immediately and continually useful. The memory is bittersweet because Bruce died later that year, a dear friend lost to cancer far too soon.

This year's We-Bought-The-Farm party fell on October 30th, almost exactly a year after Bruce's memorial service. The greatest gifts this time around? The songs, tunes and stories shared in the post-potluck glow, including many recollections of Folks Gone Before. Yet we were surprised with some more tangible treats, as well-- a jar of home-canned dilly beans from one friend, jars of rhubarb jam and chutney from another friend, and a beautifully turned salad bowl of local alderwood cleverly disguised by...well, a bowlful of salad. Oh, and then there was the bottle of champagne handed off with a conspiratorial grin--we were told to tuck it away in the fridge and save it for a "private celebration" of our own!

But there was one person who didn't make it to the party--didn't even know it was happening, in fact--and sent something anyway: my Fairy Blogmother, MamaPea. MamaPea is a homesteader and gardener extraordinaire who has been a sustaining source of wisdom, kindness, good humour and understanding. Her gifts were a very sweet surprise and could not have come at a better time. They were actually part of a "pay it forward" scheme among some craftsperson bloggers, but that deserves a future post of its own. For now, I want to share the tremendously thoughtful work bestowed upon me by MamaPea, who is a professional quilter of obvious talent, wit and skill!

Here's one view of the four quilted potholders MamaPea made for me. By the way, they match our kitchen's colour-scheme perfectly. I have NO idea how she managed that, since she's never seen our kitchen! How clever of her to work in so many salient motifs: alphabet fabric for my love of words and writing, images of old-fashioned farmsteads interspersed with a print of tiny quilts to commemorate our friendship and our homesteading foremothers, tiny gold stars and all those trees and branches and leaves...

Here's a second view, showing the potholders flipped so you can see (gasp!) their backsides. Such perfect colour-coordination! Such splendid designs! I feel so blessed and delighted to be the recipient of such gifts! (Trivia item: the potholders were photographed while resting on the tile runner of our dining table, one of the last items made in our house when it was still a working woodshop. The house is just small enough, and the table just big enough, that it dictated the placement of the stairwell and, by extension, the dimensions of all other rooms in the house.)

MamaPea didn't just treat me to a sampler of her own talents--she also sent a packet of beautiful photo-cards made by her daughter, an off-the-grid homesteader and artist/designer who blogs as ChickenMama. Most of the images come from Swamp River Ridge, the site of her Northland homestead. They betray the keen eye and deep appreciation for nature that you'd expect from a serious homesteader. Not only are the photographs themselves strikingly beautiful, they're also nicely mounted and elegantly packaged. I'm sure there's a wonderful story behind every image, and if I could just lure ChickenMama and MamaPea over to Maine, I'd love to sit down with them and hear every single one!

So, here we are: surrounded by friends and stories and gifts from many hands, our hearts full of gratitude, in a small farmhouse well-stocked with warmth and love.


P.S. Happy Birthday, Piper. I think this year's going to be a good one!

Friday, August 13, 2010

Time in a One-Toilet Town: #2

Last Saturday, we returned to Muscongus Island for a reprise of last year's preaching & piping gig. The Summer residents of this unelectrified and (mostly) unplumbed Maine island had just held their annual auction and the annual church meeting was scheduled to commence right after our worship service. The pressure was on to create a worship service that would adequately honour, foster and further this seasonal community's sense of...well, community.

Fortunately, it wasn't entirely up to me. I had two valuable colleagues along for the adventure: The Piper, who managed to share her musical gifts while complying with the island's rigidly informal dress code thanks to her recently acquired "instakilt," and Zoe, our farm dog, who endured the arduous multivehicular journey with grace, if not dignity, and channeled all her herd-dog talents into her new self-assigned role as church greeter and head usher. She gave a whole new meaning to "shepherding the flock."

We were able to stay on the island for two more days after the end of our official duties. Zoe, the Piper and I took several long walks, admiring the rugged beauty of the island, the hints and remnants of the island's once year-round community, and the weathered old houses, oddly bedecked with both seasonal ephemera and accouterments of sustainability. One particular walk to the island's main cemetery held a special poignancy. As we walked among the lichen-etched stones, we read the century-old names of young people lost in their prime to illness or the sea. I thought about my Grandmother, who died just a week before at the age of 87, and felt humble and thankful for her--and all the lives that have bridged the distance between other island hearts and mine.

Here is the sermon preached at Loudsville Church, Muscongus Island, Maine, on August 8, 2010:

ONE FOR THE BIRDS

I want to tell you about my Grandma Charlotte. I want to share something about her, because, while we worship together in this small island church, the rest of my family is just on the edge of waking up in the foothills of the Rocky Mountains where they gathered yesterday for her funeral. She lived to be 87 years old, vital and joyful 'til the end. I miss her.

What I remember most about Grandma's house was the clutter. It was friendly clutter. It supported all manner of conversations. If we talked about crafts, Grandma probably had everything you needed in a drawer or a box...somewhere. If we talked about science, history, or culture, she would draw on her extensive collection of Smithsonian Magazines and National Geographics. Grandma was also a highly-skilled yard-saler. She and Grandpa would trundle around Colorado in their old avocado-green VW bus, finding the most astounding things and happily tucking them away for useful occasions. Each Christmas, our family would receive a large box addressed in Grandma Charlotte's handwriting. There would be at least three items for every single member of the family: at least two yard-sale finds, a fossil or mineral to add to our rock collections, and the annual renewal of our own family's subscription to National Geographic.

Grandma loved to find things, hold on to them a while, then pass them on. Other than rockhounding, it was her favorite sport. She was at once a magpie and a messiah, gathering bright, shiny objects into her nest, guided by a belief that everything was worth rescuing, worth saving. And she kept it all up for many years, still sending her famous boxes even when I was in college and grad school. But, as Grandma and Grandpa got older, they ventured out less and less. After Grandpa's death, it became too much of a chore to pack those heavy Christmas boxes and get them to the post office. We didn't mind terribly much. A card and a phone call were just as good, if not better. But, there in that modest little house in Boulder, Colorado, there was still all...that...clutter. She was tripping over it in the hallway. She was bumping against it on the stairs. Grandma got frustrated. She spent time almost every day sorting through it, but she couldn't bring herself to actually throw anything away. One pile would be sorted into half a dozen piles, and they would gradually shift and merge into other sorted piles, and then the mess would be in everyone's way all over again. The task absorbed more and more of her time and her failing energy.

I've been that kind of magpie messiah. Grandma taught me well. I've gathered plenty of bright shiny objects myself, and I've done my best to work them into my nest. I've rescued other people's discards, glued them back together, filed the rough edges, and claimed them as my treasures, additions to my collection. I've welcomed clutter as a rebellion against waste. I hate to throw anything away.

But that's not the kind of savior Jesus meant to be. He had a different message in mind: He said to his disciples, “Therefore I tell you, do not worry about your life, what you will eat, or about your body, what you will wear. For life is more than food, and the body more than clothing. Consider the ravens: they neither sew nor reap, they have neither storehouse nor barn, and yet God feeds them.

Consider the ravens. The raven is the bird of battlefields and garbage dumps, the eater of carrion. Shepherds and farmers were forever driving them away from potential sources of food. They were unwelcome, unwanted scavengers, trash-pickers, pests. They were unclean creatures and unfit for human consumption, according to Jewish law. Where I grew up, in the Pacific Northwest, Native people tell stories of Raven the Trickster, Raven the Traveler, Raven, the Creator's go-between, the bringer of news. In the story of the Great Flood, Noah sends out a raven before he sends out a dove, but then it disappears behind the curtains and the dove gets all the good press. Ravens are like flying shadows upon which we heap all the darkness of our imaginations.

And yet... have you ever watched ravens? Did you know that, if one young raven finds food—even the smallest bit of food—it will call out to all the other ravens around, inviting them to share it? Did you know that they mate for life, and that an older pair will take one or two younger birds under their wing—so to speak—and train them as nannies, teaching them to care for the newly-hatched young so that they'll be better parents when they're ready to hatch out their own? Did you know they often work in teams to drive off a threatening owl or a hawk? The Creator of both humans and ravens must have loved these “unclean” creatures very much to give them such gifts, for they have not only an abundance of food, but also an abundance of fellowship, an abundance of community.

For Grandma Charlotte, it was the abundance of her community that shook her loose from all her stuff. One by one, friends and family began to visit, to sit and soak up her stories, to laugh and chat—and to help her sort. Wealthy with companionship, she began to care for her “friendly clutter” less and less. Surrounded by loving support, she was able to start letting go. The recycling bins filled up rapidly. The hallway and stairs seemed to grow wider. You didn't have to think so much about where you might put your feet. Best of all, the burden of care was lifted. Grandma was free to devote her remaining energy to the things that made her thrive: relationships, learning, and the exercise of curiosity and delight that made her a true joy to be with.

“...And do not keep worrying. For it is the nations of the world that strive after all these things, and your Father knows that you need them. Instead, strive for his kingdom, and these things will be given to you as well. Do not be afraid, little flock, for it is your Father's good pleasure to give you the kingdom. Sell your possessions, and give alms. Make purses for yourselves that do not wear out, an unfailing treasure in heaven, where no thief comes near and no moth destroys. For where your treasure is, there your heart will be also.”

What is our treasure? Not the clutter, the possessions that bind us and hinder us and weigh us down. You know that already, or you wouldn't have made the effort to carve out time to be in this place. And this “little flock” has already shown that you know how to sell possessions and give alms—yesterday's auction accomplished a bit of that, even if the possessions did just move on to somebody else. In fact, the more we keep things moving, the closer to God's community we'll be. This way, we defy the human powers that would keep us hoarding our petty treasures. This way, we create an economy of blessings and gifts, where the only real value of things is in the way they keep moving between us. We become richer and richer—as a community—the more gifts we share with each other.

Here we are, together on this small island. Here we are, blessed with a place of abundance. We can leave behind the fear-mongering headlines, the power-plays of the nations of the world. Instead, we can watch the ravens and sea-birds playing games with the wind, feasting on spare bits and scraps with joyful abandon. Here, we can study the lilies of the field, the trails bedecked with blooming plants and bushes laden with berries. Here, together, as we share meals and stories, as we greet each other on the paths and gently tend this beloved place, we are indeed striving towards God's kingdom. Here, we rest in the peace of wild things, learn to share our gifts, and let all of Creation teach us of faith, hope and grace.

Thursday, March 11, 2010

Sticker Shock

I was frightened the first time I saw it. The words were plastered to the bumper of a science professor's car, and although their purpose eluded me, I couldn't help feeling a deep sense of foreboding when I read the statement:
"The Universe is Expanding and Everything is On Schedule."



"On whose schedule?" I wondered. On whose agenda, with what printing press? And if everything was expanding, did that mean the very stuff of life itself was being pulled gradually apart? I wasn't sure of its meaning, but that odd little bumper sticker disturbed me enough that I started averting my gaze when I walked through that parking lot on the way to class. Perhaps it was right--it probably was--but I didn't know how it should impact my life and it made me feel anxious. I resolved to avoid it. And yet, every time I walked through that lot and averted my gaze, that sticker's text would swim back into my mind's eye. The very discomfort of it had imprinted it, indelibly, on my awareness.

Last Friday we went to see environmental writer and educator, Bill McKibben. His lecture was part of a series entitled, "Sustainability: Transitions to Resilience." But what McKibben really came to talk about was his current work, a worldwide consciousness-raising initiative called "350.org." 350 parts per million: the level of carbon in the atmosphere above which "life on the earth, as we know it, becomes unsustainable." He spoke with great excitement of displays created on every continent, images sent in from desert villages, metropolitan high-rises, rain forests and glaciers, all proclaiming "350 ppm." Then, almost as an aside, he mentioned that the level of carbon NOW in the atmosphere is actually around...oh, 390 ppm. Oh. Dear.

I found myself right back in that university parking lot, staring at the back of that science professor's car. Two little numbers--two little factoids backed up with reams of evidence--had sent me plummeting into anxiety and fear, despair and depression. Where's the sustainability, the "transition to resilience" in THAT?

Science and religion both have their sacred litanies, their liminal lists of power and persuasion. The litany of environmental degradation inspires its own special terror and awe:

More plastic in the oceans now than plankton...
More heat and moisture in the air than we've ever known...
More cancer-causing poisons in water and soil...
The coral reefs dying...
The topsoil being stripped away...
The Arctic Ocean ice-free in our lifetime...
Less than 5% of the old-growth forests left...
1% of species going extinct every year...

How long, O Earth? How long?
We believe, O Earth.
Help our unbelief.


Despair and depression serve neither the Earth nor the God of Creation. Of this I am convinced. But how shall we respond, in the face of such overwhelming and condemning facts? How shall we pry ourselves off the dead center of ignorance and denial? How shall we transform the self-medicating culture of wasteful, careless consumption that is leading us toward our collective death?

An unquiet mind is a fertile, creative space. So is a troubled heart. Perhaps this is where we begin: in that wild teetering on the edge of the void, where the view can, by turns, terrify and inspire. Perhaps it begins with a willingness to engage, fully, with claims both profound and irreverent, to reach out our aching arms and enter the dance with partners we never thought we'd claim.

I'm still not sure about that bumper sticker. I'm still not sure about its creator's intent. I'm no more certain how to live in an expanding universe than I am sure of how to live in a world that appears to be dying. But bumper-sticker statements offer little in the way of wisdom, and science and technology have failed us--and our planet--repeatedly.

I'm not saying I deny the harsh evidence. I know the great evil and great destruction of which we are capable. But here is what I believe: that our deepest identity is that of creatures, and as creatures we are connected to the entirety of the Cosmos, the Community of Life. I believe we are called, as human creatures, to meet our present challenges with all the soaring, joy-bringing creativity we can summon from the core of our beings. If the universe is expanding, we dare not shrink away into depression and silence.

We had best open our hearts, open our ears, expand our lungs and learn how to tune our voices to Creation's own harmonies. We had best reach out our hands to heal the weary earth. We had best learn how to unplug from all the pretty little energy-sucking techno-pacifiers and reconnect ourselves to the Creating, Redeeming, Sustaining powers of the Universe itself.


And that won't fit on a bumper sticker.


(image source: galaxy)

Sunday, January 10, 2010

Fifteenth Night at the Ceilidh Palace

...and a glorious time was had by all.

Not to be confused with Caesars Palace (I come to bury Caesar, not to praise him), the Ceilidh Palace is the long-awaited addition to the home of our dear friends, F. and J. (For those still unfamiliar with the term, a ceilidh [pronounced "KAY-lee"] is a sort of musical pot-luck, where the entertainment tends toward the home-grown, free-range and organic.)

These two extraordinary musicians had long dreamed of building a splendid space for bardic gatherings. They poured the foundation years ago, but challenges all-too-common to the life of working artists made their plans go aft a-gley. This past year, though, they finally tackled the task's completion. We compared construction notes along the way. We merrily joked with them about our "competitive housebuilding," but many's the time we shared mutual congratulations over clever requisitions and creative use of cast-offs. We encouraged each other, commiserated over the "joys" of trimwork and drywall, and blessed each other's households with gifts of food, music, and friendship.

This weekend, they inaugurated the new space during their annual Twelfth Night Ceilidh & Conflagration. (Technically, counting from Christmas, it was Fifteenth Night, but the evening was too perfect to be bothered by technicalities.) In the past, this event has consisted of a fragrant, steamy elbow-to-elbow potluck in one room and a jam-packed music session in another, with scarcely room to butter one's bread or draw a fiddle bow. Folks took turns going out to gather around the snow-banked bonfire. They braved the frigid January night not just for the spectacle of the high-leaping flames, but also for the brief freedom to swing their arms and move easily about.

This year, the bonfire got off to a very good start with two crackly-branched Christmas trees. As in past years, many guests brought something to contribute to the fire, from tiny wish-enscribed slips to multiple file-folders of burdensome paperwork. (The year I graduated from seminary, I contributed a small papier-mache effigy I dubbed "the algebra monster." I gleefully threw it into the fire, thereby declaring my symbolic freedom from long years of abject algebraic failure in a host of mathematics classrooms. I felt cleansed by the act and willingly endured the bemused and befuddled looks of those standing near me.)

Inside the house, a new hearth was blessed and another fire kindled, this time in the chilly but welcoming space of their new greatroom: the ground floor of the soaring post-and-beam Ceilidh Palace. With a canvas hung to divide the space and trap the heat, a set of old church pews set around the edges, and a fire blazing merrily in the grate, the new room was beckoning. Our hosts called everyone in for the blessing. F. played a haunting tune on his flute. The blessing was pronounced, and all drank a toast to hosts, hearth, and house. Then J. cried out, "Let the wild rumpus begin!"

First came the Scottish smallpipes, then fiddles emerged from cases along with harp, whistle, bodhran and guitar. It was tentative at first. Someone led off with "Mairi's Wedding." Then it was "Atholl Highlanders" and "Calliope House." "Lark in the Morning" took wing. Fiddles and whistles wove around each other in "Jenny Dang the Weaver." After a few more tunes, a banjo appeared in the mix. Soon an accordion squeezed in. After years of dreaming, of hoping, of saving and striving, the room came to life and thrummed with rollicking, lilting, toe-tapping, spirit-lifting music. It was a realized vision, a creative conspiracy--literally, a breathing-together--and our hearts beat together to the rhythm of this shared creation.

The evening rolled on. The musicians became more venturesome. In a household full of musical inventions and oddities, someone emerged with one of the oddest: a double-chantered Tunisian bagpipe whose maker had made no effort to disguise the material: goatskin. Attempts to play it engendered uproarious laughter as the awful little goat-bag inflated to an alarming proportion, then emitted one tentative, goose-like *honk.* Although we could all plainly hear the air escaping from the loosely-tied bag, we all cried out for more, each squeak and squawk further incapacitating us with laughter.

Finally the poor creature was rescued and laid to rest, the gasping musicians wiped away tears of hilarity, and the session revved up again. More uncommon instruments were welcomed into the session and the tunes danced from one culture into another: Irish, Scottish, Quebecois, Breton... on into the dark winter night. Outside the sparks did their own wild dance, swirling and leaping high into the clear cold air. The Ceilidh Palace, work of common folk, bedecked with its faint tracery of plaster dust, was a treasure-trove heaped high. That night, we were all rich as kings and queens.


(All text, images, and video copyright Mainecelt 2010)

Friday, October 23, 2009

Friday Five: Music of the Spheres

Songbird, at RevGalBlogPals, writes, "...It was the same Martin Luther who said: "I have no use for cranks who despise music, because it is a gift of God. Music drives away the Devil and makes people gay; they forget thereby all wrath, unchastity, arrogance, and the like. Next after theology, I give to music the highest place and the greatest honor." On this Friday before Reformation Sunday, let's talk about music. Share with us five pieces of music that draw you closer to the Divine, that elevate your mood or take you to your happy place. They might be sung or instrumental, ancient or modern, sacred or popular...whatever touches you."

Oh dear. Only five?!?

When I read the instructions for this morning's Friday Five, I immediately raced over to my music-box (one o them fancy 4-in-1 things) and put on my CD of "Sing Lustily & With Good Courage" by Maddy Prior with the Carnival Band (CD-SDL 383, copyright 1990 Saydisc Records, England). The recording, commissioned by the BBC for the 250th anniversary of John Wesley's spiritual awakening at Aldersgate, takes its title from Charles Wesley's "instructions for singing," found in most Methodist Hymnals and also posted in the choir room of the United Methodist church in which I grew up. Look up the full instructions when you get a chance-- they're a delightful read and, even now, an excellent set of instructions for group singing.

The lusty, courageous singing and instrumentation of this recording are a real, well, EAR-opener for anyone who thinks "traditional" hymns are dreary and boring. They were, in the 18th century, a rather shocking innovation. Not only did they stray from strict adherence to the texts of biblical psalms, they often employed tunes that verged on being rambunctiously secular. But that wasn't all that upset the BigWigs and Hie-Heid-Yins. As Andy Watts says in the liner notes, "What made the hymns so different form the old metrical psalms was their expression of personal religious thoughts and feelings in vigorous, emotional language. They spoke of God's love for sinners, salvation for the individual, the liberating power of Jesus, the inner experience of the Holy Spirit, strength to withstand oppression and the promise of future glory. This was abhorrent to most of the Anglican Establishment and the ruling classes."

So, with my customary delight in doing things abhorrent to the ruling classes, here's my list of five:

1.) "O For A Thousand Tongues To Sing." Once you get past the ridiculous mental image, it's a wonderful tune of upwelling joy. I always heard it as confirmation of a multilingual path towards spiritual truth-- that no single tongue, no single voice or language is sufficient to teach us all there is to know about God's Grace and God's ongoing involvement in Creation.

2) "Be Thou My Vision" This mystical hymn wraps itself around me like a warm embrace from my spiritual and cultural ancestors. The tune, "Slane" is an old Irish one, dated at least to the 6th century. The hymn's imagery echoes old Celtic praise-poems and travelers' prayers of protection. Curiously, it also represents one of my few quarrels with the move to "inclusify" and democratise the language of American hymnals. I much prefer the old words, in which Jesus is proclaimed "High King of Heaven." Admittedly, the reference is lost to American singers, but this refers to the old hierachies of the Celtic Lands, in which many small local kingdoms deferred to a "High King" as their ultimate leader and wise arbitor. With all the petty kingdoms and tiny idols we modern folk worship, I still find it meaningful to understand Jesus as a wise leader whose stories and virtues inspire us to extend our gaze beyond our own navels.

3)"Lift Every Voice" (words: James Weldon Johnson, music J. Rosamund Johnson, c. 1921) Unlike "Be Thou My Vision," this anthem emerges from a struggle outside of my culture and ancestry, but I do not love it less. It makes me feel connected to the deep and powerful "soul-force" of the African-American freedom struggle. When I sing it, every breath re-embodies the truth that "an injury to one is an injury to all." The forceful rhythm draws my footfalls into a greater march. The music lifts and even shoves my spirit upwards and onwards. This anthem holds me accountable for my own role in the great drama of justice-seeking.

4)"Freedom Come-All-Ye" (Hamish Henderson) Many Scottish folk continue to call for this song to be named the new National Anthem of Scotland. It was written by one of my personal heroes, a Scottish soldier whose wartime travels to Africa and experiences of shared suffering somehow moved him to transcend hatred and bigotry, to love "the fellowship of man" MORE fully and deeply. (I use the gender-specific term on purpose, as Henderson's experience was truly one of brotherhood with his fellow soldiers.) Here, he has taken a pipe tune from the First World War, "Bloody Fields of Flanders," and put Scots words to it that draw a connection between Scotland's own history of struggle and oppression and the South African struggle against Apartheid. (Henderson was a long-time correspondent with Nelson Mandela during his imprisonment.) It's a visionary masterpiece that has become one of my own "get-my-courage-up" songs.

5)"The Joy of Living" (Ewan MacColl) Ewan wrote this song in his own struggle to come to terms with the approaching end of his life. I learned it from the singing of Alison McMorland and Geordie McIntyre, two Scottish tradition-bearers who knew MacColl very well. Their recording of it was played at my grandmother's funeral. Just now, I keep this song in mind as I mourn the crossing over of another dear one, my friend Bruce. I think Bruce and Ewan would have gotten along famously--they shared an intense desire to live each day to its absolute fullest, to do all the good they could in their years' span.




(Image sources: Language Tree from here. Celtic Mandala from here. MLK art from here. All other images copyright Mainecelt 2009.

Saturday, September 12, 2009

News Flash-- Bye, Bye Birdie

We interrupt our regularly scheduled blog post to bring you this important update: as of this morning, all surplus roosters have been...um, dispatched. The year-old broilers-turned-stewbirds, denizens of the Very Bad Year, pre-dawn hellish harmonizers, feathered idols of concupiscence and caprice...them birds had to go.

For the sake of more squeamish readers, there will be no pictures of the process. Suffice to say that the knife was sharp. They were dispatched most humanely with reasonable skill and speed. We thanked them and vowed that nothing would be wasted...and nothing was. What didn't end up in the freezer or the stockpot went to fertilize the garden. As the Wise Ones say, "everything is food for something else."

These birds have been a bane for so long that the final bird's death felt like more than just another unpleasant-but-needful barnyard task. It felt elemental, primal, like an offering of sorts, or some ritual banishment of bad spirits. Perhaps offering IS the correct word. We offered its soul back to the Cosmos and its blood and feathers back to the earth. We transformed its body into more nourishing forms. With these acts came a lightness, a curious sense that we have released ourselves from the taloned hold of last year's suffering.

Did our Celtic and British ancestors feel these things, when the wheel of the year turned to harvest and their hands fell to the hard work of culling and butchering? Did they offer prayers of release? Did they sense the tenuous, terrifying beauty of nature's balance? Did they speak aloud their thanks, breathe deeply, set their jaws, and bloody their hands, killing and taking only what they had to, using everything they possibly could? And were there special words or tales or tunes to honour all of this?

I found the tune of an old wassail song welling up in me as we worked. There are many wassails-- songs of seasonal blessing and honour, from ancient roots meaning "be whole." (There is one called "the Apple Tree Wassail" that I sing to my fruit trees when I plant or prune them. I am of the belief that no creature, rooted or footed or winged, can be too often blessed.) I reshaped the words to our purpose and sang them--not cavalierly, but with genuine joy, recognizing that every harvest is a time of death, but reapers need not be eternally grim. There is a time to reap. There is a time to sow and a time to gather in. It is good to move with The Great Wheel's Turning.

Goodbye, roosters. Farewell, four-thirty A.M. alarmers. Tomorrow is the sabbath. We shall celebrate by sleeping in.

Tuesday, August 4, 2009

Time in a One-Toilet Town

We wouldn't want to get too far above ourselves, so this past weekend we took a wee break from the drudgery of house-building and mud-farming for a holiday in a one-toilet town.

We were headed to Muscongus Island, a small (3 miles by one mile) island in Midcoast Maine. Our friends Julia and Fred, of Castlebay, helped us get the gig--the job of preparing and leading worship for this wee island "community" the morning after a Castlebay-led ceilidh on the deck of one of the summer residents' homes. This island no longer boasts any year-round residents--the last one left more than a generation ago--but the older Summer Folk can still recall many of the permanent residents, their ways of life and their stories.

The island has some odd dynamics. It is an ever-changing collection of people who live in close proximity yet rarely think of themselves as a community. There are no electrical lines, no televisions, no paved roads and no land-line telephones. (Actually, they tried to install a telephone system several years ago, but it never quite worked. You can still find remnants of the wire decaying along the tractor-paths that connect some of the more remote houses.) The island--until very recently--also had no flush toilets.

Everyone still proudly uses their outhouses except one Mr. Plimpton, who first earned the other residents' scorn by gutting a historic island house of its ornate decor to make way for modern decor. He then used his lawyerly skills and deep pockets to acquire permits, bring over heavy equipment and materials, and install the island's first flush toilet and septic system.

The other Summer Folk responses ranged from disgust to righteous indignation. By tacit agreement, they had abided by the common understanding of minimal impacts and respect of limited resources. They had invested in solar lights to cut down on their use of kerosene. They were careful to pack out all their trash...but Mr. Plimpton, apparently, couldn't trouble himself to abide by Island Common Sense.

As I prepared for the weekend on the island, I wrestled with my sermon. What could I say? After all, I was just another non-islander, another Person From Away. It was Julia who suggested I think in terms of other islands--the islands I've visited in Scotland, and the island, far to our west, on which I grew up. That was helpful-- every island has some sort of resource-use issue. Every island copes with the tension of building and maintaining a sense of community. But I still figured I'd have to go off-lectionary.

The Common Lectionary is a three-year ecumenical cycle of Bible readings designed to expose congregations to the vast majority of the Bible's themes, books, and important stories. Each week's readings include a reading from the Old Testamant/Hebrew Scriptures, Something from the Book of Psalms, Something from one of the Gospels, and a reading from one of the New Testament Epistles. Usually I try to stick to the lectionary readings--it's a good discipline, a sort of "writing prompt" for preachers. The weekly challenge is to find, in the assigned readings, something that speaks to a news item or community issue, and then craft a sermon that reflects honest engagement with the historical texts in light of our contemporary situation(s).

I figured I'd have to go off-lectionary for sure--what could a two-thousand-year-old collection of letters, poems and stories possibly say to a bunch of islanders in 2009 who were upset about a flush toilet? Well, might as well read the lectionary list for this week before I get on with the work... HAH! What I found were a bunch of people stuck in the wilderness together, worried about their food supply, and an early church congregation arguing over the relative value of each other's gifts. As they say, "That'll preach." (Readings may be found here. I used the readings from Exodus 16 and Ephesians 4.)

The piper and I arrived on the island Saturday evening by small power-boat. We weighed down the three-bench boat with unusual cargo: a fiddle, a guitar, Great Highland Bagpipes, Scottish Smallpipes, assorted flutes and whistles, bags of food and clothing, a large Celtic harp, three musicians, one preacher, and one very nervous farmdog. There were folks waiting at the dock to haul all our gear up the hill through the deep, dark mud created by a summer of unusually heavy rain. We set up for the ceilidh on the deck and enjoyed a lovely summer evening: music, potluck snacks, and an after-ceilidh supper at the home of the island's spry 85-year-old historian.

Sunday morning dawned with sweet birdsong and pearly light. The Piper and I had slept in the parsonage attached to the island church--our room was right next to the belltower. As instructed, I pulled the rope and rang the bell at fifteen minutes to nine to call the islanders to church. The Piper was poised and ready outside. As soon as I finished ringing the bell, she struck in her pipes and played in the thickening mist as the islanders made their way along the footpaths. Children were carried on shoulders. Dogs came as well, too rambunctious to tell if they were wearing their Sunday-go-to-meeting collars and leashes.

After the welcome and announcements and prayer of invocation, we had a hymn sing. People called out suggestions and a woman jumped up and offered to play the piano as we sang a few verses of each favourite hymn. As they opened their mouths and sang out the first hymn, such a glorious blend of strong voices and sweet harmonies arose--such a joyful noise in such a dear wee kirk! I felt deeply blessed by the Spirit moving in that place.

A young woman from the congregation read the first Bible reading, and I read the second. Next came the sermon:

SERMON FOR LOUDVILLE CHURCH, MUSCONGUS ISLAND, AUGUST 2, 2009:

It was a summer Sunday like this one, the air heavy with moisture and salt, no other cars on the roads, just the rise and fall of the ancient stone hills before us. We were in Scotland. We had just finished a week on the island of South Uist at a traditional music school. Now, with another student, we had rented a car to spend the weekend exploring the rest of the Outer Hebrides. It had seemed like a great idea-- pack four musicians and all their gear into a station wagon, grab food along the way, and wander merrily wherever we wanted.

Our traveling companion was fascinated by standing stones, and since he was our driver, we happily agreed to let our path be plotted by the locations of significant stones. Saturday had gone well enough-- we'd meandered through empty fields, along sheep paths and near low stacks of drying peat, to stand in front of this or that ancient monolith, used for nobody-knew-quite-what. It was a lovely diversion, and we'd been well-fortified by a full Scottish breakfast at a bunkhouse on the island of Harris.

Saturday afternoon, we headed north to the Isle of Lewis, my father's ancestral stomping grounds. The plan was to reach the biggest town, Stornoway, by nightfall, then spend the entire next day heading from one great stone wonder to the next, including the great stone-age fort called the Carloway Broch and the ancient circle of stones at Callanish.

Somehow, though, we'd missed a crucial bit of information. People had warned us, but we hadn't quite believed it. “Fill up your tank the night before; Lewis is closed on Sundays.” We didn't quite realize what it would mean. Lewis, it turns out, is a stronghold of conservative Protestant devotion, and when they keep the Sabbath, they really keep the Sabbath—to the point of padlocking the swings in the public parks.

The morning was beautiful. We went to the lighthouse, dipped our toes in the other side of the Atlantic on a wee white-sanded beach, and watched endangered seabirds wheel above the ledges of some of the oldest rocks in the world. We romped through the remains of thousand-year-old fort. We polished up the last of our crackers and cheese and looked forward to afternoon tea at the Callanish visitors' centre, complete with a view of the standing stones.

But the visitors' centre was closed. The grocery store in the next town was closed. The petrol stations and convenience shops were closed. Even on a summer weekend, even at the height of the tourist season, Everything Really. Was. Closed.

We kept driving, bellies grumbling and growling, scanning the wide expanse of peat bogs and lichen-encrusted stones that reached to the horizon, hoping less and less for another picture-perfect monolith, hoping more and more for a convenience store around the next bend... Our panic continued to rise as the light faded from the sky. We realized we'd misunderstood the rules, misinterpreted our guides. We wanted bread. The island offered us nothing but stones.

Then we remembered Maggie. Maggie was a classmate of ours at the traditional music school. She'd introduced herself as a local girl—she lived on Harris. In the friendly, welcoming way of the Highlanders, she'd invited us to drop by. “Especially if you're there on the Sabbath;” she had said, “You'll need a home-cooked meal then.” Her remark had seemed oddly pointed at the time, but we understood her meaning now, all too well. We rummaged through our packs and found a copy of the school contact list. Tired and hungry and unsure of ourselves, we put in a call to Maggie.

“Och, sure! You're just doon the road! Come, then, the lot of ye! I've got supper on the stove.” One slight wrong turn and twenty minutes later, we were on her doorstep. She ushered us in with exclamations of welcome and genuine delight, took our jackets, offered us tea, and showed us to the kitchen, where dinner was indeed on the stove: four enormous dishes, heaped with food, cooked the day before, the pilot light's heat just barely enough to give them a hint of warmth. She had made this enormous feast the day before, so as not to trouble herself with the work of cooking on the Sabbath. There were bashed neeps with butter and curried rice salad with apricots. There was a platter of cold sliced meat and a tray with bread and cheese. It looked like enough to feed a village—certainly more than Maggie's small household, more than enough for them and four hungry musicians.

Maggie's hospitality startled us, dazzled us, and moved us deeply. She had known us only a week, and then mostly in passing. Yet here was this feast, and afterwards the demand that we put up our feet by the peat fire, rest a while, and share some tea. Her unqualified, whole-hearted welcome fluttered around us like a flock of quail landing in the wilderness, like manna in the desert. Here was pot-luck beyond our wild imaginings, canceling out all our fears of scarcity.

Islanders or desert wanderers, we all move with the burdens of hunger and fear. For the Israelites, it was the fear that their resources would not be sufficient to nourish their whole community. On Lewis, we faced a similar, though far less drastic, fear.

The island where I grew up has its own community struggles. Our island, unlike yours, has no bedrock. It is merely a pile of silt and gravel, the remnant of a glacier that got tired. To the executives and engineers of a mining company, all that pre-crushed rock made our island the perfect source of raw materials for all manner of lucrative clients, near and far away. They threatened to take a portion of the island—including protected shoreline and sensitive woodlands--by Eminent Domain in the name of Public Works.

We raged. We whispered. We made phone calls and wrote letters. We gossiped, prayed, and picketed. We raised such a stink that the county commissioners, engineers, and other highly-placed personages made their way from the mainland to the island. The cause became a celebrated one.

I wish I could tell you that we won, flat out. But real life rarely wraps things up so neatly. Nobody got exactly what they wanted. In the process, though, something has changed on the island. We've learned to be clear with each other. We've learned to work together—farmers, lawyers, schoolkids and grandparents, mechanics and politicians—to understand what matters most to us, what makes the island such a vital, precious and important place.

It remains to be seen whether all those tons of gravel will be pulled from that particular lump of earth. In the meantime, we have sowed seeds of good stewardship, and we have begun to reap a harvest of wisdom. As Paul said in his letter to the Ephesians,
“We must no longer be children, tossed to and fro and blown about by every wind of doctrine, by people's trickery, by their craftiness in deceitful scheming. But speaking the truth in love, we must grow up in every way... into Christ, from whom the whole body, joined and knit together by every ligament with which it is equipped, as each part is working properly, promotes the body's growth in building itself up in love.”

Speak the truth in love-- how hard that is, when anxiety and frustration—and even righteous indignation—crowd out compassion from our hearts. And how hard it is to grow together, to find some all-too-uncommon Common Ground. On Lewis, that place of ancient stones, they wrestle with the decision to run ferryboats on Sundays, raising the fear that this will cheapen and weaken this tiny stronghold of Sabbath Rest. Here on Muscongus Island, you have your own struggles with resources, your own hard quests for Common Ground. But you also have sources of wisdom, strength and nourishment. You have auctions, workdays, and wonderful potluck feasts!

On the old agricultural calendar, today marks the beginning of Lammas or Lunasdal: the harvest season. On the Isle of Lewis, as on the Scottish mainland, it was a time to honor those who laboured in the fields. Bread and beer-- gifts of grain and the fruit of the earth—were shared in abundance. It was a kind of communion. There were toasts to praise workers and landowners both, ways to honour the well-rooted and the drifters. Although most of us no longer till the fields with our own muscles and sweat, the memory of these things is powerful—so powerful that the Common Lectionary, the shared cycle of bible readings heard in churches around the world, offers on this particular Sunday a plate full of manna, fresh harvests, heavenly bread.

Here, on this small island, on this particular lump of stone and earth, our fieldwork awaits. Let us ask ourselves and our neighbors: what shall be our harvest? What nourishment will we share with others, to keep the Spirit's gifts moving among us? What manna will we gather, together, in this place?
Amen.


Manna, indeed: for the rest of our stay, we were invited to share meals and hailed cheerfully on the footpaths. We shared more stories and savoured the hospitality of many...and used more than one of the island outhouses, each decorated thoughtfully and distinctly. Farmdog, Piper and I roamed the island's beaches with our friends. I swam in the cool saltwater. We read books from the island library by solar flashlights after dark. It was a time of renewal, a time of nourishment for body and mind and soul. We've even been asked back for another Summer Sunday, next year!

Friday, July 17, 2009

Friday Five: Game On!

Jan, over at RevGals, writes:
"In less than three weeks, my family, including children and their partners, will be gathering in Seattle, WA for 12 days...With nine adults (from almost 20 years old and up), I am thinking that we need to have some activities pre-planned--like GAMES! (Any ideas will be appreciated.) So this Friday Five is about games, so play on ahead..."

1. Childhood games?
A childhood friend recently befriended me on Facebook and shared a memory of playing "Wonder Woman" with me and a couple of other friends in our back yard. Poor guy-- I think we spent most of our time chasing each other and tying him up with the "lasso of truth."
In general, my childhood games were messy and elaborate and based on raids of kitchen drawers and my mother's fabric cabinet. There was much tent-making...also an alchemy lab under the lilac and snowball bushes, where we invented countless experimental potions and fermented-blossom "perfumes" that reeked to high heaven.

2. Favorite and/or most hated board games?
Hands-down favourite: "The Farming Game," which I used to play ad nauseum with my best friend as we were growing up. According to the box, the game was "invented on the seat of a tractor" by farmers in Eastern Washington State, and since my grandparents were Western Washington dairy farmers, I felt it was somehow a matter of loyalty to enjoy the game...considering how my life turned out, I guess I took it a bit too seriously! I loved going around the agricultural year on the board, rolling the dice for harvest yields, saving up for cattle and fruit tree tokens, and drawing the cards called "Farmer's Fate." The best one involved a true-to-life explosion of Mount Saint Helens, with all players rolling dice to see if their farm had escaped the cloud of ash. I bought a used copy--one of only three items I've ever bought on EBay--and tried to get The Piper & The Piper's Son to play it with me. Sadly, they were not as impressed...but I STILL love it!

3. Card games?
Best all-ages card game: MilleBornes, a racing game in which cards can be dealt to increase mileage or cause hazards. With a little explaining, it can be played with pre-readers, as the cards contain well-drawn visual clues.
In college, I loved playing the game, "BS," because none of my peers would believe that a pre-ministry student who still wore home-made dresses could bluff everybody under the table. I also liked "War," "SlapJack," and "Egyptian Rat Screw." Card games bring out a devilishly competitive streak in me that I find slightly disturbing, but fun.

4. Travel/car games?
Car trips were about equally divided between sibling squabbles and great game-playing in my family. There were I-spy games, like watching road signs to find all of the letters of the alphabet. We played "20 questions" and "Hink-Pink," in which a person thinks of a rhyming term and then gives out a non-rhyming definition, then has everyone guess the rhyme. (ex: "an insect outlaw" is a "mosquito bandito.")

5. Adult pastimes that are not video games?
We own neither a television nor a game console, as we recognize our own potential for time-wasting and addiction! To be honest, the work of farming, our off-farm jobs, and our community responsibilities keep The Piper and I too busy to indulge in much recreation of any kind. Our big outlet is music. The Piper plays not only the Great Highland Pipes, but also Lowland Smallpipes and the fiddle. She also knows lyrics to the most amazing array of songs, from shape-note hymns to bawdy English Music Hall bits and hard-luck ballads. We have friends that can play other instruments and remember or invent even more verses for our favourite songs.
My idea of heaven is a ceilidh: an evening of organic shared entertainment from singers, story-tellers, musicians, jokesters, and poets, with a bit of dancing and lots of good home-made food added in!

Bonus: Any ideas for family vacations or gatherings?
Share stories! Go around the circle and have everyone share "most embarrassing moments" or "a time when I felt really proud" or "the strangest thing I ever saw" or "the hardest thing I ever did" or "the outfit I wore that upset my elders most" or other good conversation-starters. It's good to do this while people have something to do with their hands: shucking corn, building sandcastles, scrapbooking, etc. so nobody feels too self-conscious.
Planning ahead, I'd encourage everyone to bring digital cameras and some old family photographs or albums. Pass them around and share the stories behind the images. Collaborate to identify places and people and dates, then write all this valuable information down. Asking for favourite recipes and family traditions is also a good idea-- get craftier members of the family to put these all into a book.
Preserve and expand your collective memory!

(Check back later--I'll look through the photo CDs my family had made, and post some great old family images from various generational gatherings!)

Thursday, April 30, 2009

A Swine Pickle

The jury may be out on swine flu treatment & prevention, but here on the farm our Mothers of Invention have already taken some important steps.

You've heard the saying, "think global--act local." Well, thanks to my three adopted Asian siblings, I was trained early to pay attention to what was happening in other countries--especially Taiwan and Korea. My interest in my own heritage actually developed much later. (When I learned my first words of Gaelic and tasted my first haggis, I'd already been humming Korean folk songs and eating rice with chopsticks for fifteen years.)

Remember the Avian Influenza scare a few years ago? Scientists in South Korea found that kim chi, a potently-spiced Asian variant of sauerkraut, sped the recovery process for infected birds and showed distinct promise as an overall immune system booster.

So, in the service of public health, we offer this educational song:

THE SWINE FLU KIM CHI SONG
(sung to the tune of "My Bonnie Lies Over the Ocean")

My bovines are giving me notions.
My livestock I must oversee!
For swine flu demands potent potions--
I'll feed all my critters kim-chi!

CHORUS:
Kim-chi, oh kim-chi, bring strong kim-chi to them--and me!
Kim-chi, oh kim-chi: feed kin, kine* and swine with kim-chi!

For centuries, Korean grannies
Have boosted their families' health;
With crocks of kim-chi they've been canny.
Now--can some and come share the wealth!

CHORUS

The scientists fed it to chickens
when studying avian flu:
They perked up and thrived like the dickens--
Guess we'd better try the stuff, too!

CHORUS

Shred cabbage, add garlic and ginger,
salt, scallions and hot pepper flakes.
We'll learn how to be kim-chi bingers--
Oh, what a fine pickle we'll make!

CHORUS

My sisters both came from Korea.
From Taiwan, a brother came too.
I love them--and their kitchen wisdom
Might just save us all from swine flu!

FINAL CHORUS:
Kim-chi, oh kim-chi: it's good for our critters, for you and me!
Kim-chi, oh kim-chi, a life-saving pickle, kim-chi!


(image sources: www.saemaul.com & www.asianrecipe.com.)
*kine=Scots word for cows)



P.S. Happy Birthday, Brother Zach!

Friday, April 24, 2009

Friday Five: Bucket List

SingingOwl over at RevGalBlogPals suggests that we offer our personal "bucket lists" for the traditional Friday Five. I never saw the Bucket List movie, so the words brought something different to my scattered mind:

"There's a hole in the bucket, Dear Liza, Dear Liza..."

I loved that song when I was a child. It seemed endlessly funny, the way each problem on the ol' homestead sent Liza and Henry farther into the Slough of Despond...all 'cause there was a dad-blamed hole in the gosh-darn bucket.

Now that I live on a homestead myself, the song ain't so funny--just achingly familiar. In my life, a "bucket list" is likely to involve an actual bucket, and if'n it don't have a hole, well, the side may be split or the handle near to coming off.

Och, but enough whinging and whining. The sun's come out to warm the weary earth, and I shall plant peas in the garden today. This morning I said goodbye to The Piper's Son, who is headed off across the country to a new job and the unfettered freedom of young adult life. I'm thankful, today, for the extraordinary gift of his help this past year as we turned our old woodshop into a genuinely lovely little house. I'm also excited for him, fresh-faced and ready to discover his place in the world. Oh, and this morning, after he left? After wiping away a few sentimental tears, I got out the utility knife and the drill and put up the last piece of drywall in our bathroom, bringing the house that much closer to being done.

Now, about that bucket list:

1) Restore this old farm and open a Bed & Breakfast with a Celtic theme.
I'd cook sumptuous Celtic breakfasts, all ingredients homegrown and/or fresh from other local farms. The Bagpiper would provide evening entertainment and, for those who request it, an unforgettable wake-up call! Instead of being isolated and exhausted by the hard work of farming, we'll be constantly invigorated by the stream of vibrant visitors who come to appreciate this farm's unique blessings and gifts. We'll hold Celtic Spirituality retreats for church groups, Farm Discovery weekends for armchair homesteaders, Writers & Artists retreats for weary professional women (BTW, I count caregiving of any kind as a profession, so just about all women would be qualified)...

2) Become fluent--or at least comfortably conversant--in Scottish Gaelic. (I started learning this beautiful, soulful language several years ago, but had to end my classes when I left for seminary.) Of course, to continue my studies, I'd need to spend a fair amount of time in, well, SCOTLAND! Ah, home of my ancestors and my Spirit's Other Home... Tir Mo Ghraidh! There I would sing with the seals, wander the moors, caper at the ceilidhs, wrap myself with the mountain mists and eerie, ancient peace of the isles...and the Bagpiper would travel along, sometimes choosing a different path for her own musical pursuits, but always joining me to bless moonrise and sunrise, to share our stories at the start and end of each day.

3) In keeping with #2: Make music such a central & powerful part of our shared life that it continues to heal & energize us. Ideally, it should also open opportunities for us to travel and make music in the places--and with the people--we most love. (Also, ideally, we would develop a corps of sturdy & steadfast farmhands, available to mind the farm when we depart on occasional musical jaunts!)

4) One other journey: to travel and explore some spiritual, as well as cultural roots. I'd like to see some of the Continental Celtic strongholds and archeological sites in Brittany, Austria, and Galicia. I also want to take a side trip to Ravenna, Italy, to see the church mosaics there--especially the one where there's a lifesize procession of the Church Mothers. I've been intrigued ever since I heard of these mosaics. In one, there's supposedly a woman with the title "bishop" above her head!

5) I've been a caregiver--to siblings and other people's children--much of my life. There has always been a bittersweet element of release in this work. The children always return to their parents at the end of the day, and my guidance and gifts have always been secondary. That can be a good thing--to leave the "hard part" to others--but still I'd dearly love the chance to "have a wee bairn or twa" all my own. There is so much joy and mystery that I'd love to share, as well as the shared work and earthly delights of this beloved farm. I'd like to raise up a child who sings freely, works earnestly, laughs readily, and lives fruitfully.

Speaking of being fruitful, ain't nobody gonna be fruitful around here if'n I don't get out to the garden and plant those peas!